An unidentified Black Man stands outside a tent in Tulsa’s previously-affluent Greenwood District. Following the 1921 riot many African American survivors were forced to live for months in tents and other makeshift accommodations. (photograph courtesy of the Black Holocaust Society) Most of us have seen a filmed interview or 2 where an African-American veteran of World War I or World War II talks about how they had to fight one war overseas and then returned home to fight a different kind of war—for equal civil rights—here in America. What many of us may not know is how truly war-like some of the confrontations at home could become. It is because of what happened in Tulsa, Oklahoma, from May 30-June 1, 1921, and past those dates that many people’s thoughts turn to a different kind of commemoration when observing Memorial Day every year. I was unaware of the event that has become known as the Black Wall Street Riots until conducting research to write Encyclopedia  of the Ha

Ja A. Jahannes (right) and Aberjhani signing copies of Encyclopedia of the Harlem Renaissance at Barnes and Noble in Savannah, Georgia . (photo courtesy Bright Skylark Literary Productions) Any attempt to write a biographical essay about someone as multi-talented and prolific as the late Ja A. Jahannes would be incomplete without immersion––or re-immersion––into a comprehensive sample of his works. In Jahannes’ case that would mean listening to diverse genres of music, going through numerous powerful poems, revisiting provocative essays, and revisiting intensely-original memoirs, novels, and plays. Getting it all done in the short amount of time allotted by deadlines would not be possible but enjoying the challenge would be. In the course of rising to meet that challenge by penning the essay 5 Ways to be Geniuses Together, Celebrating  Ja Jahannes , I naturally looked for suitable quotes to include with the essay. Upon finding more than I could use, I was inspired to

“And the syndrome goes on; this is only a poem, wondering when to our senses we will come home.”      ––T.J. Reddy (from A Poem About A Syndrome) Most of the more celebrated names among African-American authors, poets, and artists are known to the world because of their association with specific cultural arts movements. The recently-deceased  Amiri Baraka has been identified as a hero of both the late 1950s Beat Movement and the 1960s and 1970s Black Arts Movement. Poets such as Gwendolyn Brooks and Sterling Brown remain renowned for their link to the Harlem Renaissance. One of the more powerful qualities of such movements is that they often inspire more creative genius than the world takes time to recognize. Or sometimes they produce creative thinkers of a type that “others” tend to fear and consequently attempt to destroy. It is possible both these scenarios may be applied to the poet, visual artist, human rights advocate, and educator known as T.J. Reddy.

Classic portrait of Langston Hughes by the German artist Winold Reiss (Credit: Smithsonian Magazine) “We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs.”––Langston Hughes Among the superstars who recently joined late-night television talk show host Arsenio Hall on the set of his newly-revived program was hip-hop pioneer and mogul Russell Simmons. In addition to expressing enthusiasm over sharing meditation with his children and exploring new film opportunities in Hollywood, Simmons spoke briefly and somewhat reservedly about a recent controversy involving artistic freedom versus social responsibility. Without going into details about the scandal-plagued “Harriet Tubman Sex Tape” video that he posted on, and then quickly removed from, his All Def Digital YouTube channel, Simmons admitted the backlash it created prompted the only instance where he felt compelled––after being pressured by different civil rights organizations––to withdraw artis

  (10th Anniversary digital graphic for Encyclopedia of the Harlem Renaissance by Postered Poetics based on original cover design by Facts on File with art by Jacob Lawrence .) “The story of African Americans was crafted anew into a poignant commentary on individual and group progress under great pressure, a story that over time became one of the most compelling of American narratives.” ––Dr. Clement Alexander Price September 2013 represents the landmark 10th anniversary of the publication of the groundbreaking Encyclopedia of the Harlem Renaissance (Facts on File, 2003) co-authored by educator Sandra L. West and featuring a foreword by Dr. Clement Alexander Price, founder and director of the Institute on Ethnicity, Culture, and the Modern Experience at Rutgers University, Newark Campus, New Jersey. Almost seemingly as if in honor of that event, on August 29 President Barack Obama announced his intent to appoint Dr. Price to the position of Vice Chairman of the Adviso

Syrian children behind a barbed wire fence at the Ceylanpinar refugee camp in the Sanliurfa province of  Turkey . (Photo by Reuters) At the heart of Creative Thinkers International’s operational philosophy has always been a core belief in the ability of positive creativity to help inspire nonviolent conflict resolution. This is not a romantic notion; it is a crucial alternative. The blood-and-bone-splattering spectacles of war have come to command most news headlines in the modern world. The maniacal brutality that was 9/11 engraved in the world’s collective consciousness themes and realities intensified by perpetual chaos, terror, and death. It is a chilling prospect, and yet an observable phenomenon, that humanity at this point in history too often defines itself by how efficiently it destroys itself. Love, it seems, is valued most when violence or disease threaten to annihilate the life that would serve as a channel for it. Men and women discover the deeper nature

                                 ( embossed graphic courtesy of Bright Skylark Literary Prods ) Encyclopedia of the Harlem Renaissance , first published by Facts On File in 2003 and through Infobase Publishing in 2010, is now available as a Kindle Edition on Amazon and that is big news for a lot of good reasons. For one, 2013 marks the tenth anniversary of Encyclopedia of the Harlem Renaissance’s publication and a new edition of a new edition of a modern award-winning classic is always a good way to celebrate such occasions. Secondly, advances in technology proved a powerful component of the Harlem Renaissance just as it has in the contemporary era. During the 1920s and 1930s, important developments took place through the growing radio and the recording industries. Those advances not only allowed African Americans to showcase and preserve the marvels of black music such as jazz , ragtime, and the blues. It gave also them a foothold in an industry that allowed many to

             Music legends Ray Charles and Ahmet Ertegun (Reuters photo by Fred Prouser) “God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations. Jazz speaks for life.”  ––Dr. Martin Luther King Jr., 1964 Berlin Jazz Festival Opening Address The second International Jazz Day Global Concert held April 30, 2013, in Istanbul, Turkey, was as much about the long-standing relationship between the music and the country of Turkey as it was about a world audience enjoying an exceptional line-up of world-class performers. Millions unable to attend the concert physically were able to do so via a live stream on YouTube and other web locations. The music of jazz is one which many African Americans are prone to jealously safeguarding as an original form of creative expression linked dire

Though up and live, the website has been adding new content at a moderate pace as students, authors, teachers, historians, researchers and other interested visitors familiarize themselves with it and utilize the unique content to their advantage. The following is an abbreviated table of contents: 100 th Anniversary of the Harlem Renaissance   Home Page The Harlem Renaissance the Year 2020 The Approaching 100th Anniversary of the Harlem Renaissance In Celebration of Literary Cultural Migrations W.E.B. Du Bois and a Lesson from the Master Teacher Known as History Call for 100th Anniversary of the Harlem Renaissance Papers Bright Skylark Literary Productions 100th Anniversary of the Harlem Renaissance Website Launches - Bright Skylark Literary Productions

Website logo for 100th Anniversary of the Harlem Renaissance The exact start of the Harlem Renaissance cannot be easily identified––nor, for that matter, can its end. There are in fact those who maintain that the Harlem Renaissance has never come to full head-on conclusion. It has instead adapted, evolved, and shifted forms like a chameleon of cultural consciousness and moved with steady unimpeded grace from one decade to the next and from one century to the next. As for when it started: the physical migration of African Americans out of rural areas of the South, from the Caribbean and elsewhere into the New York City neighborhood of Harlem during the 1910s, certainly set the stage for the dazzling explosion of creative genius that would come to be known as the Harlem Renaissance . The people of African descent who made their way to Harlem “on the first thing smoking,” as Zora Neale Hurston put it, not only became captivating subjects of paintings, plays, novels, poetry,

"Interpretation of Harlem Jazz" a.k.a. "Drawing in Two Colors" art by German artist of the Harlem Renaissance Winold Reiss. (circa 1917, public domain) “Life calls the tune, we dance.”   ―   John Galsworthy , from Five Tales It was almost enough for me to simply join PEN American Center and set up a profile page without doing much else to qualify its existence. Such a page alone could allow me to relax inside the satisfaction of knowing I had remained true enough to my literary calling to place my name beside that of authors whose lives and craftsmanship had so often empowered my own. That idea, of course, faded very quickly as I further allowed myself to acknowledge something I have long known: you do not claim rights to an honored tradition just because a few books allowed you to bring them into the world or because you managed to cough up the obligatory dues. One claims a right to such traditions very much the way runners on a winning Olympic relay

In addition to kicking off the beginning of Black History Month 2012, February 1 also marks the 110th anniversary of the birth of Langston Hughes, one of America’s most acclaimed authors. Although widely celebrated for his poetry, plays, and short stories, the phenomenally prolific Hughes was also an author of celebrated memoirs, novels, works of history and translations, as well as an editor of anthologies. In honor of Hughes’ lasting legacy, actor Danny Glover has presented dramatized recitals of his work for at least a decade and is currently on tour portraying the author in An Evening with Martin and Langston . Fellow actor and director Felix Justice portrays Martin Luther King Jr. in the production. Performances are currently scheduled to take place February 8 at the Onondaga Community College in Syracuse, New York ; and on February 9 at the University of Central Arkansas in Conway. For the entire Langston Hughes celebration please click this link : Notebook on Black Histo

Historian Carter G. Woodson, who during the Harlem Renaissance founded Black History Week––later to become Black History Month––was a powerful visionary able to resist the constant denigration of his people’s humanity as represented by institutional racism and counter it with more positive affirmations made with groundbreaking research and publications. While twentieth century organizations such as the American Eugenics Society and the Ku Klux Klan devoted their resources to asserting the inferiority of African Americans, Woodson valiantly identified among his people examples of genius and innovation that revealed a very different story. For the full article by Aberjhani please click this link: Notebook on Black History Month 2012 (Part 1): Carter G. Woodson and Company - National African-American Art | Examiner.com

Cover of "Without A Song: 9/11 Concert" album by Sonny Rollins. Welcome to number 6 in Aberjhani’s Countdown of 10 Amazing Moments from the Year 2011: Preeminent saxophonist and all-around jazzmaster Sonny Rollins joined actress Meryl Streep, singer Neil Diamond, celebrated cellist Yo-Yo Ma, and Broadway actress and cabaret performer Barbara Cook as a Kennedy Center honoree at the White House and at the John F. Kennedy Center for the Performing Arts in Washington, D.C. on December 4, 2011. The honor served as tribute to the career of a musician whose work has won over critics and fans alike for all of six decades. Please click the link to read the full story: Countdown of 10 amazing moments from the year 2011: No. 6 Sonny Rollins - National African-American Art | Examiner.com

Detail from artwork for Kareem Abdul-Jabbar's film On the Shoulders of Giants . (courtesy of Union Productions and Iconomy) The celebration of major historic milestones is a favorite pastime in pretty much every culture. This year, 2011, in the United States many are commemorating the 150th Anniversary of the American Civil War. That means four years from now numerous festivities will take place to observe the same anniversary for Jubilee Day, or the liberation of America’s slaves. In addition, countries around the world are currently honoring the first United Nations-declared International Year for People of African Descent. Flip the calendar forward by almost a decade and we find ourselves approaching another major milestone: the 100th anniversary of the beginning of the Harlem Renaissance. To read this article by Aberjhani in full please click the following link : The Approaching 100th Anniversary of the Harlem Renaissance

For full story please click the link: Encyclopedia of the Harlem Renaissance eBook Published - Welcome to Aberjhani's

The notion of rendering service these days is one that most of us generally associate with business enterprises that promise lucrative monetary rewards, or influential political power in exchange for whatever service one might render. Unless affiliated with a religious institution of some kind, it’s rare that we consider service in the manner indicated when the great scholar and humanitarian W.E.B. Du Bois wrote the following: “In the civilized world each serves all, and the binding force is faith and skill, and the skill is bounded only by human possibility and genius, and the faith is faithful even to the untrue.” During this month, September 2008, of the fifth anniversary of the publication of Encyclopedia of the Harlem Renaissance, I find myself increasingly grateful for the service my co-author and I were able to provide by rising to the challenge of completing the ground-breaking encyclopedia. Initially, I thought only in terms of the personal honor that came from doing so. Since

(2005 model for Freedom Tower to replace World Trade Center) Before the hours of insanity and annihilation that changed world history on September 11, 2001, the month of September was noted by members of my family primarily as the birth month for at least a half dozen individuals. It remained, of course, their month after the destruction of New York City’s World Trade Center and the loss of thousands of lives, but the shadow of that event tends to lessen the glow of birthday candles and soften the volume of songs and laughter. Especially for those born on the actual day. Two years later, the greater impact of 9/11 was just beginning to unfold as the Iraq and Afghanistan wars upgraded to levels of mega-mayhem no one could have fully anticipated. At the same time, Facts On File published my Encyclopedia of the Harlem Renaissance (with Sandra L. West). That the encyclopedia was my first major book published by a major company added––for me, personally––greater emotional balance to the mo

Invisible Man, Shadow and Act, and Going to the Territory, all books by that quintessential twentieth century literary artist Ralph Waldo Ellison, remain towering masterworks of American literature for their penetrating explorations of racial identity, cultural complexity, and historical consequences in the United States. With Senator Barack Obama’s historic bid for the White House evolving daily into the possibility of an historic win, Ellison’s brilliantly charged writings, which first catapulted him to fame in the 1950s, are perhaps more relevant now than ever before, making Arnold Rampersad’s detailed biography of the great writer one of the best reads around during these very exciting times. Biographies of high-achieving African Americans have too often in the past fallen into one of two categories: those that romanticized their subjects as cultural heroes and those that condemned them as embarrassing villains. Fortunately, in Rampersad, we have a biographer who assigned himself t

CTI News Room--West Savannah artist Luther E. Vann became the first Savannah-born African-American artist to have a one-man exhibit at the Telfair Museum’s Jepson Center for the Arts when his show opened there April 16, 2008. On May 29, the Jepson Center will host “An Evening with Luther E. Vann and Friends,” an event open to the public from 6-7 p.m. The event will include a presentation by the artist reading from his newly released book, ELEMENTAL: The Power of Illuminated Love (Soar Publishing); a statement of interpretation of Vann’s work by Dr. Ja A. Jahannes; and other surprise events followed by a book signing. His book is now available at the Jepson Center Gift Shop, telephone (912) 790-8831. “This event,” said Vann, “is very special for many different reasons. For one thing, it represents a major successful effort on behalf of the Telfair Museum, working with the Friends of African-American Arts, to interact more inclusively with Savannah’s African-American community. Secondly