Here's a question worth considering: At the heart of the 8 compelling nonfiction stories and 5-article appendix which make up Dreams of the Immortal City Savannah is this interesting question: What would your life mean if you were living someone else's dream of what it should be? For some very good answers to why, please check out: https://www.prlog.org/13003205-dreams-of-the-immortal-city-literary-odyssey-through-savannahs-cultural-embroidery.html Cyberwit.net News Release

Like many of the real-life characters in its pages, including me, the author, Dreams of the Immortal City Savannah is a survivor. It has endured several powerful hurricanes, withstood the terror of too many computer crashes to count, eluded theft, and dodged falling ceilings. The real miracle is the book not only survived these successions of turmoil but managed to steadily evolve with the addition of my artwork to the nonfiction stories. To appreciate how truly exceptional that is, please note that when I first began writing the book I did not consider myself a visual artist of any kind at all: not an amateur digital craftsman, acrylic stylist, photographer, or portraitist. I was the author of Songs from the Black Skylark zPed Music Player and co-author of Encyclopedia of the Harlem Renaissance beginning a new literary adventure. Dreams of the Immortal City Savannah started with the experience of an actual dream in 1989. It had to do with a group of friends banding toge

(Image still from YouTube video of poet Claude McKay reciting “If We Must Die”) The summer of 2015  marks the 96th anniversary of the publication of Harlem Renaissance poet Claude  McKay’s masterful poem, “If We Must Die.” This essay is presented in  commemoration of that literary milestone and in remembrance of the Red Summer  of 1919 that inspired it. There were many good reasons to believe America had entered––or at least was about to enter––a golden era of post-racialism following the election of Barack Obama in 2008. Among them was the election of the country’s first African-American president itself, an increasingly diverse American population, and a sociopolitical landscape made more democratic (in appearance at least) by the various influences of technological innovation. Unfortunately, none of those good noble reasons were able to withstand the onslaught of reality as the number of hate   groups in the country began to increase almost immediately, even while

Cover of Black Gold, An Anthology of Black Poetry (art by Turner Mayfield Publishing) When contemplating such issues as the current protests against the trend of white policemen killing unarmed black men (or boys in the case of 12-year-old Tamir Rice) and the unceasing escalation of war and terrorism across the globe, some might consider poetry an insignificant subject to address as the year 2015 approaches. Others, however, might contend that just like black lives in the past, present, and future–– poetry matters. One important reason poetry matters is because it often helps to expand humanity’s capacity for putting brutal and sublime experiences alike into usable, meaningful, contexts. What may be the oldest known Christmas poem, A Visit from Saint Nicholas (often referred to as “Twas the Night Before Christmas”) was first published anonymously on December 23, 1823, and later attributed to Clement Clark Moore . The year was a relatively peaceful one compared to the year

Does the enigmatic figure of the Black Skylark  referenced in this blog title have anything to do with Edgar Allen Poe’s “The  Raven” (1845), with Walt Whitman’s “The Mystic Trumpeter” (1872), or Abram  Joseph Ryan’s “Song of the Deathless Voice” (1880)?  It shares with Poe’s classic poem the image of a dark mystical bird. On the other hand, the presence of an eerie beguiling melody establishes a strong link to Whitman’s and Ryan’s poems. The poem is set in the city of Savannah, Georgia, but its themes are universal.  Readers are hereby invited to decide for themselves how well it fits into the tradition of the American Halloween poem pioneered by Poe, Whitman, and Ryan: Song of the Black Skylark (poem) by Aberjhani on AuthorsDen by Aberjhani

“The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence…” ~Toni Morrison, 1993 Nobel Lecture in Literature This segment of Creative Flexibility and Annihilated Lives is published in partnership with Voices Compassion Education . Like many authors I dive headlong almost every  day into a torrential flow of words sparkling with possibilities. I then work  to extract from that linguistic flow a collective of sounds, imagery, ideas,  and entire compositions capable of offering relevant reflections of the world  experienced both inside and outside my own head. Such a mindful exercise in  disciplined creative passion tends to focus my thoughts more on striking a  balance between the unyielding clarity of prose and the seductive allusiveness of  poetry than on the demands of managing a public image. 

This French edition of "King, Malcolm, Baldwin: Three Interviews" by Dr. Kenneth B. Clark illustrates just influential Baldwin's writings became during the 1960s and 1970s . Editorial Note : The full post of this article by Aberjhani on LinkedIn and accessible via the link below incorporates a segment of the previously published essay The Year of James Baldwin Now in Full Classic Literary Swing Before there were human resource managers and action research teams counseling American corporations on the advantages of embracing diversity rather than vilifying it, there was author James Baldwin putting the theory to the test in acclaimed essays, novels, plays, short stories, poems, and dialogues. Social networkers in recent weeks have found occasion to quote those writings in regard to everything from a Palestinian state and gay marriage equality to Barack  Obama’s presidency and the American identity. It is true that he marched alongside Martin Luther King,

                                 Maya Angelou "Getting the work done." (graphic by Postered Poetics) “My great hope is to laugh as much as I cry; to get my work done and try to love somebody and have the courage to accept the love in return.” ––author Maya Angelou The death of author Maya Angelou on May 28 and the murderous massacre in Isla Vista in Santa Barbara County, California, on May 23, 2014, occurred within a week of each other. Both forced me to turn my attention away from work on the final proofs for Journey  through the Power of the Rainbow, Quotations from a Life Made Out of Poetry . Then both, in the end, for different reasons, persuaded me to remain as focused as I could and to get the work done. That last phrase in particular––“get the work done”––stood out because I recalled Angelou using it when noting how prolific James Baldwin (as an author of novels, plays, poems, essays, short fiction, and screenplays) had been in comparison to Ralph El

Syrian children behind a barbed wire fence at the Ceylanpinar refugee camp in the Sanliurfa province of  Turkey . (Photo by Reuters) At the heart of Creative Thinkers International’s operational philosophy has always been a core belief in the ability of positive creativity to help inspire nonviolent conflict resolution. This is not a romantic notion; it is a crucial alternative. The blood-and-bone-splattering spectacles of war have come to command most news headlines in the modern world. The maniacal brutality that was 9/11 engraved in the world’s collective consciousness themes and realities intensified by perpetual chaos, terror, and death. It is a chilling prospect, and yet an observable phenomenon, that humanity at this point in history too often defines itself by how efficiently it destroys itself. Love, it seems, is valued most when violence or disease threaten to annihilate the life that would serve as a channel for it. Men and women discover the deeper nature

                           (digital art graphic courtesy of Bright Skylark Literary Productions) One of the greatest triumphs of the human spirit is the ability to exercise gratitude in the face of grievous adversity. Cultivation of a sense of gratitude under any conditions is advantageous in general because it tames impulses toward delusion-inducing arrogance, soul-numbing indifference, and corruptive malice. During this National Poetry Month 2013 , I have found myself considering all the reasons I am grateful for the presence of poetry in my life and in this world. Among those reasons is the fact that there was a time, in years not so long ago, when I struggled inside a kind of “dark night of the soul”––one that in many ways appeared to reflect an eclipse of the world’s collective soul–– and it was the voices of living poets that called to me from unknown distances and took it upon themselves through their own brilliant writings to reaffirm my purpose and efforts. By doi

                        (graphic courtesy of  Global March for Peace and Unity  on Facebook) “A vision of humanity as a unified force for peace had come alive in the form of millions of living breathing souls and an ideal of international democracy had been realized on a small but unprecedented scale.  History was not only made––history was tremendously honored.” – from The American Poet Who Went Home Again (Aberjhani) During this Easter Holy Week 2013, I find myself thinking about the challenges that Peace faces in our world and wonder why humanity seems to insist more on its destruction than its empowerment. From the recent murder of a 13-month-old baby in Brunswick, Georgia (allegedly by a 15-year-old boy), to the nearly two dozen wars (plus two dozen more conflicts of a similar nature) currently devouring human sanity from sunrise to sunrise, the suicidal lust for the annihilation of life on every scale is scarier than any vampire flick around. Is there anything mor

Though up and live, the website has been adding new content at a moderate pace as students, authors, teachers, historians, researchers and other interested visitors familiarize themselves with it and utilize the unique content to their advantage. The following is an abbreviated table of contents: 100 th Anniversary of the Harlem Renaissance   Home Page The Harlem Renaissance the Year 2020 The Approaching 100th Anniversary of the Harlem Renaissance In Celebration of Literary Cultural Migrations W.E.B. Du Bois and a Lesson from the Master Teacher Known as History Call for 100th Anniversary of the Harlem Renaissance Papers Bright Skylark Literary Productions 100th Anniversary of the Harlem Renaissance Website Launches - Bright Skylark Literary Productions

Logo for PEN International World Association of Writers The PEN American Center turned all of 90 years old in 2012 and recently decided to give itself a very useful digital facelift. With such cases like that of the Qatari poet Mohammed Ibn al-Dheeb al-Ajami , Iranian lawyer Nasrin Sotoudeh, and Ethiopian journalist Eskinder Nega still rocking international headlines, the PEN American Center’s mission in conjunction with PEN international ––to defend the right to freedom of expression and promote the values of literature and literacy––has never been more valuable than right now. As much as I’m enjoying its swagging new style , the upgrade came with a price to which I, and other authors who maintained blogs on the site, now have to adapt. My primary reason for joining PEN American Center last year was to participate in and contribute to the legacy of literary camaraderie first established by C A. Dawson Scott and John Galsworthy––and then later sustained by such lumino

                (art quotation graphic courtesy of Bright Skylark Literary Productions )  “ Now come the whispers bearing bouquets of moonbeams and sunlight tremblings.” --Aberjhani (from The River of Winged Dreams) Below is a list of a few links that have been shared with me and which fans of The River of Winged Dreams might appreciate as well. I found the Han Chinese translations of “Angel of Earth Days and Seasons” and “Angel of Peace” particularly interesting because other than a couple of poems in Spanish, these are the only ones I've seen anyone attempt to translate (note to foreign rights publishers: if you’re interested please email me). Equally worthy of attention are the poignantly, inspiringly, and humanly profound meditations by Shay MacKay in her blog post “Rising from the Ashes.” For the list and much more on Aberjhani's The River of Winged Dreams please click the link : A River of Winged Dreams                           Valentine's Day Letter

Website logo for 100th Anniversary of the Harlem Renaissance The exact start of the Harlem Renaissance cannot be easily identified––nor, for that matter, can its end. There are in fact those who maintain that the Harlem Renaissance has never come to full head-on conclusion. It has instead adapted, evolved, and shifted forms like a chameleon of cultural consciousness and moved with steady unimpeded grace from one decade to the next and from one century to the next. As for when it started: the physical migration of African Americans out of rural areas of the South, from the Caribbean and elsewhere into the New York City neighborhood of Harlem during the 1910s, certainly set the stage for the dazzling explosion of creative genius that would come to be known as the Harlem Renaissance . The people of African descent who made their way to Harlem “on the first thing smoking,” as Zora Neale Hurston put it, not only became captivating subjects of paintings, plays, novels, poetry,

Montage of African Americans and Abraham Lincoln illustrating significance of the Emancipation Proclamation . ( Image courtesy of Library of Congress Public Domain ) Welcome to the first of this special 3-part article series presented in honor of the 150th Anniversary of the Emancipation Proclamation : The fact that an African American sits in the White House at the helm of government in the United States of America on this 150th anniversary of Abraham Lincoln’s Emancipation Proclamation represents both phenomenal political symbolism and a victory of faith in democracy that should not be lost on any American. Thoughts of the Emancipation Proclamation or the text of the Thirteenth Amendment to the U.S.  Constitution generally evoke images of American Blacks departing fields and kitchens to lend their own interpretation to the country’s great experiment in western democracy. But the end of legalized slavery did more than provide liberation for the bodies of

( Feathers of Gold, Feathers of Silver art graphic courtesy of Bright Skylark Literary Productions ) In July 2006, I sat down to write a short simple thank you note to fellow @poets and +writers who had graciously wished me well on my birthday. To my surprise, the intended short simple note came out of my pen in the form of the following poem: ANGEL OF GRATITUDE Each, shaped from a heart divine—such is the nature of your humble wings. Love, Mercy, and Grace, sisters all, attend your wounds of silence and hope. You are the good twin and the bad. Not arrogant, but jubilant…sweet… With grief or without, your flight commands awareness of joy beyond pain.     Holy starbright of infinite heavens, for these tears––I do thank you.     Just the fact that it was a poem was the first big surprise. The second was the style in which it was written, a variation on the haiku that I had never used before. Had my muse taken on the form of an

Web surfers who have written about Aberjhani, translated works by him, or shared links to various posts of his work began to experience something unprecedented in early September 2012. It happened while performing an advance Google search on the term “author-poet.” In addition to the expected search return of well-known classic authors and poets who fall into this category, the query unexpectedly generated the above image of various historical and contemporary authors described as: “Authors frequently mentioned on the web.” There between William Butler Yeats and Edgar Allen Poe was the famous photograph of Aberjhani taken by celebrated photographer John Zeuli. Others included William Shakespeare, Ralph Waldo Emerson, Henry David Thoreau, Walt Whitman, Robert Frost, James Joyce, and Charles Bukowski. Please click below to view image and read the full post : Authors Frequently Mentioned on the Web - Bright Skylark Literary Productions

                                  Author Philip Roth in New York City . (Reuters file photograph) In his September 7, 2012, “Open Letter to Wikipedia,” acclaimed author Philip Roth made an appeal to the editors of Wikipedia. Posted in his blog for The New Yorker , he asked them to correct a statement he identified as misleading in the site’s article on his novel, The Human Stain . Roth––whose literary honors include a Pulitzer Prize, American Book Award, and Man Booker International Prize––stated the following: “ The entry contains a serious misstatement that I would like to ask to have removed. This item entered Wikipedia not from the world of truthfulness but from the babble of literary gossip—there is no truth in it at all.” He noted further that he had attempted through an official interlocutor to address the issue but was informed that site administrators required “secondary sources” to verify the proposed corrections. “ Thus was created the occasion for this open

(Cover of Whitney Houston's brilliant debut album .) With the death of Soul Train founder Don Cornelius at the very beginning of the month, and that of Whitney Houston on February 11, Black History Month 2012 is fated to go down in history as one during which the world lost two of its greatest champions of African-American music. Moreover, since almost two weeks still remain in the month, one presents such a statement with noted caution. Yet as the world community and the good people of Newark, New Jersey, bid farewell to the elegant Whitney Elizabeth Houston, it seems appropriate to pause a moment and give some consideration to things of an elevated nature. To repeat myself from another occasion: Sometimes an angel gets in my head and refuses to leave until I write down whatever it says. It felt that way when Michael Jackson passed in 2009 and it feels like that now. Please click the following link to read the full editorial and poem by Aberjhani in honor of Whitney