Director Ava DuVernay talks about the SELMA movie at Sirius XM in New York . (Getty Image by Robin Marchant) For me, the movie Selma provided 3 very important opportunities. The first was to celebrate the fact that the extraordinary story of the people of Selma, Alabama, had received “big-screen movie treatment” with director Ava DuVernay, producers Oprah Winfrey and Brad Pitt, and a cast of some of the most gifted actors working today, including David Oyelowo as Martin Luther King, Jr., at the helm. The second important opportunity was a chance to write about the movie’s potential impact on present-day campaigns to secure various gains won in the past but clearly placed at risk in the present. Due to the nature of the subject, I knew the planned article would require at least a 2-part installment.  However, a trip to Selma in 2009 to participate in the annual Bridge Crossing Jubilee had inspired an essay:  To check out the full story behind the stories please click th

3 Producers of the movie "Selma" (right to left): Dede Gardner, Oprah Winfrey, and director Ava DuVernay.  The movie Selma, directed and executive produced by Ava DuVernay, opened on Christmas Day 2014 and rang in the New Year 2015 with domestic ticket sales estimated at $1, 204,000 according to Box Office Mojo. Whereas there have been any number of films about the life and legacy of Martin Luther King Jr. produced for television, Selma is the first major feature film on the great civil rights leader made for theatrical release. The movie’s box office performance at the beginning of the year placed it at number 23 on Fandango’s list of “Top Box Office Movies,” and it currently stands at number 22. Both positions place it far behind “The Hobbit: the Battle of the Five Armies” ruling at the time at number 1, and “Unbroken” at number 2. However, Selma played during the first week of its release in only 19 select theaters. It is set to screen nation-wide on Janu

This French edition of "King, Malcolm, Baldwin: Three Interviews" by Dr. Kenneth B. Clark illustrates just influential Baldwin's writings became during the 1960s and 1970s . Editorial Note : The full post of this article by Aberjhani on LinkedIn and accessible via the link below incorporates a segment of the previously published essay The Year of James Baldwin Now in Full Classic Literary Swing Before there were human resource managers and action research teams counseling American corporations on the advantages of embracing diversity rather than vilifying it, there was author James Baldwin putting the theory to the test in acclaimed essays, novels, plays, short stories, poems, and dialogues. Social networkers in recent weeks have found occasion to quote those writings in regard to everything from a Palestinian state and gay marriage equality to Barack  Obama’s presidency and the American identity. It is true that he marched alongside Martin Luther King,

Advocates for civil and human rights march in Washington D.C. (photography by Getty Images) “We must not approach the observance and enforcement of this law in a vengeful spirit. Its purpose is not to punish. Its purpose is not to divide, but to end divisions--divisions which have all lasted too long. Its purpose is national, not regional. Its purpose is to promote a more abiding commitment to freedom, a more constant pursuit of justice, and a deeper respect for human dignity.”–President Lyndon B. Johnson (Remarks upon Signing the Civil Rights Act of 1964) Because so many social and political turning points took place in the United States during the 1960s, the country in recent years has observed a number of important historical milestones and continues to do so in 2014. One such milestone is the 50th anniversary of the Civil Rights Act of 1964 . The act became a law July 2, 1964, making the official anniversary date July 2, 2014. Awareness of that date is particularly

                   Albert Camus graphic with quote by Aberjhani provided by Postered Poetics . After kicking off the Text and Meaning Series with an article on Martin Luther King Jr.’s I Have a Dream speech in August, the latest installment is on Albert Camus’ classic book, The Myth of Sisyphus. The Text and Meaning Series is one reminder that some of the battles we’ve found ourselves struggling through in 2013–– as if thrashing while asleep and trying to wake from nightmares–– have been fought before. In many cases it was believed victory had already been won. I started the Text and Meaning Series largely as a way of introducing classic works into conversations on current topics and events. It presently consists of the following: 1) Text and Meaning in Martin Luther King Jr.’s I Have a Dream Speech 2) Text and Meaning in Encyclopedia of the Harlem Renaissance 3) Text and Meaning in Langston Hughes The Negro Artist and the Racial Mountain 4) Text and Meaning i

Martin Luther King Jr. waves at crowd during 1963 March on Washington. (Associated Press file photo) “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness.” ––Martin Luther King, Jr., I Have a Dream I n its essence, “ I Have a Dream ” is one citizen’s soul-searing plea with his countrymen––Whites and Blacks––to recognize that racial disparities fueled by unwarranted bigotry were crippling America’s ability to shine as a true beacon of democracy in a world filled with people groping their way through suffocating shadows of political turmoil , economic oppression, military mayhem, starvation, and disease. The speech is particularly remarkable for the way it balances a militant rejection of racial and politica

“Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.” -- MLK poster art with quote by Aberjhani courtesy of Bright Skylark Literary Productions . Different roads provide diverse routes to freedom. For many, the path is an interior one. It first requires an individual to the clear from the landscape of inner being those areas overgrown with woody thickets of doubt and trauma or buried beneath swamplands of self-imposed limitations. There are others––like the Americans who struggled for civil rights in the 1960s, and citizens of the Middle East and various African countries currently battling for basic human rights–– who take a more public journey to freedom. Their sense and experience of liberty is defined by interaction with the external dictates of history, evolving cultural persuasions, a