A Pair of Shoes painting by Vincent Van Gogh (from Southern Review) “But why exactly were these shoes so important to Vincent? Why had he carried them with him for so long, beaten and worn as they were?”– Ken Wilber, from the essay A Pair of Worn Shoes The story and intent behind my poem, Ode to the Good Black Boots that Served My Soul So Well , is not extremely different from the story and likely intent behind Vincent Van Gogh’s painting, A Pair of Shoes (see image above). In philosopher Ken Wilber’s book, The Eye of the Spirit - An Integral Vision of a World Gone Slightly Mad, the author retells a story first shared by the painter Paul Gauguin (1848–1903) about a pair of “enormous worn out misshapen shoes” painted by his friend Vincent. The now-iconic Van Gogh (1853–1890) created the image after serving as a caregiver for 40 days and nights to a miner who had been so badly burned that doctors ...

( Detailed section of "Bettin' On Herself" artwork by Luther E. Vann from the book ELEMENTAL, The Power of Illuminated Love )  Success for the creatively-inclined individual can be defined in many ways. Certainly there are those who necessarily measure their triumphs in terms of monetary gains. There are others for whom success means the refinement of a process, participation in a unique endeavor, the achievement of a level of personal mastery, or the realization of a rare kind of vision. For some, it is all of the above. Upon agreeing to work with the artist Luther E. Vann on a book showcasing contemporary art, ekphrastic poems, and short essays in 1991, there was little reason to believe it would ever see publication much less gain recognition as a “success.” It was not the kind of work on which publishers preferred to take chances. Neither the artist nor this author at the time commanded such compelling presences ...

"You were born a child of light's wonderful secret-- you return to the beauty you have always been." Quotation from the poem Holiday Letter for a Poet Gone to War from the book VISIONS OF A SKYLARK DRESSED IN BLACK by Aberjhani. One of the greater joys of my endeavors as an author and poet has been an occasional opportunity to compose poems, essays, and articles to supplement the vibrant works of visual artists with my own literary constructions. That was the case in 2011 when providing panel text for paintings featured in the extremely gifted artist Michele Wood’s I See the Rhythm of Gospel exhibition. Previously, I had been blessed with a similar honor when composing ekphrastic poems for the art of Luther E. Vann in ELEMENTAL The Power of Illuminated Love . And I’ve written any number of essays reviewing the works or chronicling the lives of other contemporary artists such as Allen Fireall (who currently, heartbreakingly, is challenged by the need for a hear...