Yusef Lateef Gold digital graphic courtesy of Bright Skylark Literary Productions .                             (based on original 1968 Atlantic Records album for "The Blue Yusef Lateef) “ When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place.” Yusef Lateef, from “A Syllogism”   How could I have known, as a nine-year-old child growing up in Savannah’s Hitch Village project, that Yusef Lateef was speaking light in the form of music directly to my soul through his saxophone and flute when I first heard his masterpiece of an album The Blue Yusef Lateef ? I could not have imagined that years later, while seeking the timbres of my own creative voice out in the world, his would find me again. It happened this time as I sat in the window of a hotel in San Francisco’s Tenderloin District, the haunting blues-heavy moans of “Juba Juba” swelling the room as t

                         The Bayou Maharajah himself: James Booker. (photo by Henry Horenstein) “…His music pushes the boundaries of what is possible on the piano with an intricacy that surpasses Chopin. It was this complexity that attracted me to Booker. I needed to find out how a man could be both barely tolerated and completely loved – and how his music might make that possible.” ––Lily Keber, Director’s Statement  Bayou Maharajah , a film by director Lily Keber and producer Nathaniel Kohn on the life of the late New Orleans genius of jazz James Carroll Booker III made its Savannah, Georgia, debut before a full audience at the Telfair Museum’s Jepson Center for the Arts on December 19, 2013. Keber’s exceptional accomplishment in Bayou Maharajah has been acknowledged with several important awards. Among them are: the Oxford American’s Best Southern Film Award, and both the Audience Award and Special Jury Mention for a Louisiana Feature at the New Orleans Film Festival.

                       The late jazz bassist Ben Tucker. ( photo courtesy of MySpace music artist page ) It is always difficult to make peace with the death of someone who gives as much to a city as preeminent jazz-man Ben Tucker gave through his musical genius, philanthropy, and love to Savannah, Georgia. It is even harder when that death occurs violently and makes one feel like it should have never happened in the first place. Nevertheless, that so many are now taking time to remember and honor him is truly inspiring. It was never my privilege to know Tucker as well as many others in Savannah’s jazz and cultural arts community did but it was my good fortune to benefit from his expansive creative endeavors. The 2009 article A Son of Savannah Celebrated  was one small attempt to pay tribute to the man while still in his jazz swinging prime 2009: The City of Savannah Celebrates a Favorite Son - National African-American Art | Examiner.com Aberjhani

                                 ( embossed graphic courtesy of Bright Skylark Literary Prods ) Encyclopedia of the Harlem Renaissance , first published by Facts On File in 2003 and through Infobase Publishing in 2010, is now available as a Kindle Edition on Amazon and that is big news for a lot of good reasons. For one, 2013 marks the tenth anniversary of Encyclopedia of the Harlem Renaissance’s publication and a new edition of a new edition of a modern award-winning classic is always a good way to celebrate such occasions. Secondly, advances in technology proved a powerful component of the Harlem Renaissance just as it has in the contemporary era. During the 1920s and 1930s, important developments took place through the growing radio and the recording industries. Those advances not only allowed African Americans to showcase and preserve the marvels of black music such as jazz , ragtime, and the blues. It gave also them a foothold in an industry that allowed many to

             Music legends Ray Charles and Ahmet Ertegun (Reuters photo by Fred Prouser) “God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations. Jazz speaks for life.”  ––Dr. Martin Luther King Jr., 1964 Berlin Jazz Festival Opening Address The second International Jazz Day Global Concert held April 30, 2013, in Istanbul, Turkey, was as much about the long-standing relationship between the music and the country of Turkey as it was about a world audience enjoying an exceptional line-up of world-class performers. Millions unable to attend the concert physically were able to do so via a live stream on YouTube and other web locations. The music of jazz is one which many African Americans are prone to jealously safeguarding as an original form of creative expression linked dire