Director Ava DuVernay talks about the SELMA movie at Sirius XM in New York . (Getty Image by Robin Marchant) For me, the movie Selma provided 3 very important opportunities. The first was to celebrate the fact that the extraordinary story of the people of Selma, Alabama, had received “big-screen movie treatment” with director Ava DuVernay, producers Oprah Winfrey and Brad Pitt, and a cast of some of the most gifted actors working today, including David Oyelowo as Martin Luther King, Jr., at the helm. The second important opportunity was a chance to write about the movie’s potential impact on present-day campaigns to secure various gains won in the past but clearly placed at risk in the present. Due to the nature of the subject, I knew the planned article would require at least a 2-part installment.  However, a trip to Selma in 2009 to participate in the annual Bridge Crossing Jubilee had inspired an essay:  To check out the full story behind the stories please click th

                    A Pair of Shoes painting by Vincent Van Gogh (from Southern Review) “But why exactly were these shoes so important to Vincent? Why had he carried them with him for so long, beaten and worn as they were?”– Ken Wilber, from the essay A Pair of Worn Shoes The story and intent behind my poem, Ode to the Good Black Boots that Served My Soul So Well , is not extremely different from the story and likely intent behind Vincent Van Gogh’s painting, A Pair of Shoes (see image above). In philosopher Ken Wilber’s book, The Eye of the Spirit - An Integral Vision of a World Gone Slightly Mad, the author retells a story first shared by the painter Paul Gauguin (1848–1903) about a pair of “enormous worn out misshapen shoes” painted by his friend Vincent. The now-iconic Van Gogh (1853–1890) created the image after serving as a caregiver for 40 days and nights to a miner who had been so badly burned that doctors gave him up for dead. Vincent Van Gogh could not accep

                           (digital art graphic courtesy of Bright Skylark Literary Productions) One of the greatest triumphs of the human spirit is the ability to exercise gratitude in the face of grievous adversity. Cultivation of a sense of gratitude under any conditions is advantageous in general because it tames impulses toward delusion-inducing arrogance, soul-numbing indifference, and corruptive malice. During this National Poetry Month 2013 , I have found myself considering all the reasons I am grateful for the presence of poetry in my life and in this world. Among those reasons is the fact that there was a time, in years not so long ago, when I struggled inside a kind of “dark night of the soul”––one that in many ways appeared to reflect an eclipse of the world’s collective soul–– and it was the voices of living poets that called to me from unknown distances and took it upon themselves through their own brilliant writings to reaffirm my purpose and efforts. By doi

Logo for PEN International World Association of Writers The PEN American Center turned all of 90 years old in 2012 and recently decided to give itself a very useful digital facelift. With such cases like that of the Qatari poet Mohammed Ibn al-Dheeb al-Ajami , Iranian lawyer Nasrin Sotoudeh, and Ethiopian journalist Eskinder Nega still rocking international headlines, the PEN American Center’s mission in conjunction with PEN international ––to defend the right to freedom of expression and promote the values of literature and literacy––has never been more valuable than right now. As much as I’m enjoying its swagging new style , the upgrade came with a price to which I, and other authors who maintained blogs on the site, now have to adapt. My primary reason for joining PEN American Center last year was to participate in and contribute to the legacy of literary camaraderie first established by C A. Dawson Scott and John Galsworthy––and then later sustained by such lumino

Cover of first edition of I MADE MY BOY OUT OF POETRY featuring original art by celebrated New Orleans and New York artist Gustave Blache III . Recently I found myself on the verge of crossing over from ambivalence into guilt due to the amount of time and creative energy devoted this year to online journalism and other forms of prose-writing as opposed to a more luxurious immersion into the rich flow of poem-making. There were actually at least two instances in 2012 when I managed to combine the genres: the first came in February when writing about the death of WhitneyHouston and the second came, ironically enough, in August when writing about the life of one Michael Joseph Jackson. Although the poems included with the stories can stand well enough on their own, the fact that they were generated by journalistic concerns instead of employed as an initial means to a necessary end in themselves made me feel somewhat negligent. After all, where journalism was concerned I had

Web surfers who have written about Aberjhani, translated works by him, or shared links to various posts of his work began to experience something unprecedented in early September 2012. It happened while performing an advance Google search on the term “author-poet.” In addition to the expected search return of well-known classic authors and poets who fall into this category, the query unexpectedly generated the above image of various historical and contemporary authors described as: “Authors frequently mentioned on the web.” There between William Butler Yeats and Edgar Allen Poe was the famous photograph of Aberjhani taken by celebrated photographer John Zeuli. Others included William Shakespeare, Ralph Waldo Emerson, Henry David Thoreau, Walt Whitman, Robert Frost, James Joyce, and Charles Bukowski. Please click below to view image and read the full post : Authors Frequently Mentioned on the Web - Bright Skylark Literary Productions