(Cover of Whitney Houston's brilliant debut album .) With the death of Soul Train founder Don Cornelius at the very beginning of the month, and that of Whitney Houston on February 11, Black History Month 2012 is fated to go down in history as one during which the world lost two of its greatest champions of African-American music. Moreover, since almost two weeks still remain in the month, one presents such a statement with noted caution. Yet as the world community and the good people of Newark, New Jersey, bid farewell to the elegant Whitney Elizabeth Houston, it seems appropriate to pause a moment and give some consideration to things of an elevated nature. To repeat myself from another occasion: Sometimes an angel gets in my head and refuses to leave until I write down whatever it says. It felt that way when Michael Jackson passed in 2009 and it feels like that now. Please click the following link to read the full editorial and poem by Aberjhani in honor of Whitney

Filmmaker Goran Hugo Olsson and actor/producer Danny Glover. ( Photo by Larry Busacca and Getty Images ) After opening in U.S. theatres September 9, 2011, and closing November 6, 2011, The Black Power Mixtape 1967-1975 managed a total d omestic gross of only $268,813 before making its debut on Public Broadcast Stations (PBS) over the February 10-12, 2012, Black History Month weekend. Although the documentary film made its PBS debut as stated, it did so in the state of Georgia initially on channels accessible only to those who subscribe to high definition cable services. It later aired on more accessible channels at 1 a.m., 3 a.m., and 6 a.m. respectively. Consequently, many who may have wanted to see it did not and those still wishing to see the film would do well to check local broadcast schedules before its final PBS showing on February 29, or, invest in the DVD. That a film such as The Help has grossed almost $170 million during its theatre run, and is nominated for this ye

In addition to kicking off the beginning of Black History Month 2012, February 1 also marks the 110th anniversary of the birth of Langston Hughes, one of America’s most acclaimed authors. Although widely celebrated for his poetry, plays, and short stories, the phenomenally prolific Hughes was also an author of celebrated memoirs, novels, works of history and translations, as well as an editor of anthologies. In honor of Hughes’ lasting legacy, actor Danny Glover has presented dramatized recitals of his work for at least a decade and is currently on tour portraying the author in An Evening with Martin and Langston . Fellow actor and director Felix Justice portrays Martin Luther King Jr. in the production. Performances are currently scheduled to take place February 8 at the Onondaga Community College in Syracuse, New York ; and on February 9 at the University of Central Arkansas in Conway. For the entire Langston Hughes celebration please click this link : Notebook on Black Histo

(Cover of audio for Days of Grace by Arthur Ashe) The word “iconic” is usually more than sufficient to describe exceptional contributors to African-American and world history but in the case of tennis great and philanthropist Arthur Ashe it barely seems to scratch the surface. The term fits his status as one of the great men of his time well enough that in 2005 the United States Postal Service issued a stamp in his honor. The stamp bears the same image of Ashe that was featured on the cover of Sports Illustrated Magazine in 1992 when he was named “Sportsman of the Year.” That singular tribute reveals something of the magnitude of his positive impact upon the world before his death––and even afterwards–– at the relatively young age of forty-nine. However, the man himself provided a deeper sense of who and what he was in the memoir Days of Grace. To continue reading the full article with a review of Arthur Ashe's DAYS OF GRACE by Aberjhani please click this link : Notebook on Bla

Historian Carter G. Woodson, who during the Harlem Renaissance founded Black History Week––later to become Black History Month––was a powerful visionary able to resist the constant denigration of his people’s humanity as represented by institutional racism and counter it with more positive affirmations made with groundbreaking research and publications. While twentieth century organizations such as the American Eugenics Society and the Ku Klux Klan devoted their resources to asserting the inferiority of African Americans, Woodson valiantly identified among his people examples of genius and innovation that revealed a very different story. For the full article by Aberjhani please click this link: Notebook on Black History Month 2012 (Part 1): Carter G. Woodson and Company - National African-American Art | Examiner.com