PEN American Center - Paradigm Dancing: An Introduction by Aberjhani

"Interpretation of Harlem Jazz" a.k.a. "Drawing in Two Colors" art by German artist of the Harlem Renaissance Winold Reiss. (circa 1917, public domain)



“Life calls the tune, we dance.” 
 
John Galsworthy, from Five Tales

It was almost enough for me to simply join PEN American Center and set up a profile page without doing much else to qualify its existence. Such a page alone could allow me to relax inside the satisfaction of knowing I had remained true enough to my literary calling to place my name beside that of authors whose lives and craftsmanship had so often empowered my own. That idea, of course, faded very quickly as I further allowed myself to acknowledge something I have long known: you do not claim rights to an honored tradition just because a few books allowed you to bring them into the world or because you managed to cough up the obligatory dues. One claims a right to such traditions very much the way runners on a winning Olympic relay team each earn the distinction of wearing an individual medal––by running his or her segment of the race.

This blog represents one account of one author running his segment of the race. Accept that as the title and the quote attributed to Nobel laureate and P.E.N. Club co-founder John Galsworthy indicate, I see it more as a kind of dance than a race. Galsworthy’s words represented more than a witty aphorism to serve as needless proof for his much-celebrated genius. They could also describe the determination with which he year after year fired off letter after letter, traveled, and campaigned to increase the Club’s membership and secure international support for it. After more than a decade of serving as the organization’s president, he often (according to H.V. Marrot writing in The Life and Letters of John Galsworthy) expressed his weariness and desire to step down from the position.  Yet one thing he did not tire of was promoting PEN’s principles themselves or his belief as spelled out in a May 1924 (just as the Harlem Renaissance was growing stronger) address to members of the American Center in New York:

“…What we feel today the world will feel tomorrow. In homely phrase: It is up to us to make a better world of it. We are the voices. Our Club exists to convert the wilderness we cry in to a green garden.”

Faced with such conviction and unwavering dedication, it becomes difficult to do nothing more than skillfully park on one’s semi-magnificent laurels. Therefore, the mission established for this blog is to share in the dance of interactions between language and writers’ visions of literary possibilities; and, readers’ participation in that same relationship.  


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