Year in review collage featuring images from top stories of 2014 written by Aberjhani. Includes photo by Aberjhani and quotation art by Timadae. (by Postered Poetics) Most professional creative artists are familiar with the challenge of having to sometimes divide their inspired energies between remaining focused on one area of productivity while occasionally, simultaneously, completing work in another. It was that kind of cognitive agility that allowed the music of Michael Jackson’s Xscape  album compilation to reconfirm his genius in 2014, five years after his death in 2009. It was also that kind of determined flexibility which allowed this author to remain on track with research for current literary works in progress while also publishing more articles, essays, poems, books, and blog posts throughout 2014 than previously realized. Their titles and headlines confront some of 2014’s most compelling issues, any number of which is likely to continue challenging humanity in 2015

Cover of Black Gold, An Anthology of Black Poetry (art by Turner Mayfield Publishing) When contemplating such issues as the current protests against the trend of white policemen killing unarmed black men (or boys in the case of 12-year-old Tamir Rice) and the unceasing escalation of war and terrorism across the globe, some might consider poetry an insignificant subject to address as the year 2015 approaches. Others, however, might contend that just like black lives in the past, present, and future–– poetry matters. One important reason poetry matters is because it often helps to expand humanity’s capacity for putting brutal and sublime experiences alike into usable, meaningful, contexts. What may be the oldest known Christmas poem, A Visit from Saint Nicholas (often referred to as “Twas the Night Before Christmas”) was first published anonymously on December 23, 1823, and later attributed to Clement Clark Moore . The year was a relatively peaceful one compared to the year

Community leaders, including Georgia State Sen. Lester Jackson (center), gather to celebrate 100th anniversary of the Carnegie Branch Library in Savannah with a new historic marker . (photograph by Aberjhani) Measuring the success of a given year by the percentage of profits gained or lost is a sensible enough practice for many individuals and an essential one for various organizations. However, I decided going into 2014 that I wanted to commit time throughout the year to finding ways that creatively honored the concept of mutually-empowering and life-enhancing partnerships. The goal was to combine as much as possible measures of social responsibility with different types of creative endeavors. Why such an intensely-focused approach? Because the still-straggling uncertainty of the economy, the domestic gun violence that broke America’s collectively-beating heart nearly every other week, and rising waves of conflict on the global front made it far too easy to succumb to su

                    A Pair of Shoes painting by Vincent Van Gogh (from Southern Review) “But why exactly were these shoes so important to Vincent? Why had he carried them with him for so long, beaten and worn as they were?”– Ken Wilber, from the essay A Pair of Worn Shoes The story and intent behind my poem, Ode to the Good Black Boots that Served My Soul So Well , is not extremely different from the story and likely intent behind Vincent Van Gogh’s painting, A Pair of Shoes (see image above). In philosopher Ken Wilber’s book, The Eye of the Spirit - An Integral Vision of a World Gone Slightly Mad, the author retells a story first shared by the painter Paul Gauguin (1848–1903) about a pair of “enormous worn out misshapen shoes” painted by his friend Vincent. The now-iconic Van Gogh (1853–1890) created the image after serving as a caregiver for 40 days and nights to a miner who had been so badly burned that doctors gave him up for dead. Vincent Van Gogh could not accep

Does the enigmatic figure of the Black Skylark  referenced in this blog title have anything to do with Edgar Allen Poe’s “The  Raven” (1845), with Walt Whitman’s “The Mystic Trumpeter” (1872), or Abram  Joseph Ryan’s “Song of the Deathless Voice” (1880)?  It shares with Poe’s classic poem the image of a dark mystical bird. On the other hand, the presence of an eerie beguiling melody establishes a strong link to Whitman’s and Ryan’s poems. The poem is set in the city of Savannah, Georgia, but its themes are universal.  Readers are hereby invited to decide for themselves how well it fits into the tradition of the American Halloween poem pioneered by Poe, Whitman, and Ryan: Song of the Black Skylark (poem) by Aberjhani on AuthorsDen by Aberjhani

( Detailed section of "Bettin' On Herself" artwork by Luther E. Vann from the book ELEMENTAL, The Power of Illuminated Love )  Success for the creatively-inclined individual can be defined in many ways. Certainly there are those who necessarily measure their triumphs in terms of monetary gains. There are others for whom success means the refinement of a process, participation in a unique endeavor, the achievement of a level of personal mastery, or the realization of a rare kind of vision. For some, it is all of the above. Upon agreeing to work with the artist Luther E. Vann on a book showcasing contemporary art, ekphrastic poems, and short essays in 1991, there was little reason to believe it would ever see publication much less gain recognition as a “success.” It was not the kind of work on which publishers preferred to take chances. Neither the artist nor this author at the time commanded such compelling presences in the marketplace as to make a vic

“The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence…” ~Toni Morrison, 1993 Nobel Lecture in Literature This segment of Creative Flexibility and Annihilated Lives is published in partnership with Voices Compassion Education . Like many authors I dive headlong almost every  day into a torrential flow of words sparkling with possibilities. I then work  to extract from that linguistic flow a collective of sounds, imagery, ideas,  and entire compositions capable of offering relevant reflections of the world  experienced both inside and outside my own head. Such a mindful exercise in  disciplined creative passion tends to focus my thoughts more on striking a  balance between the unyielding clarity of prose and the seductive allusiveness of  poetry than on the demands of managing a public image. 

“No one seems to think it  significant that upon the policemen’s arrival Kajieme Powell possibly had  reason to fear for his life and reacted in a manner consistent with his  disability.” ––Article excerpt (Aberjhani) “Democracy is not a gift of power,  but a reservoir of knowledge.” –– from The Wisdom of W.E.B. Du Bois The month of August happens to be  one in which a number of notable events in African-American history, relatively  recent in historical terms, have occurred. There are the birthdays of such  celebrated individuals as author James Baldwin (Aug. 2), President Barack Obama  (Aug. 4), and philanthropist and performing artist Michael Jackson (Aug. 29). From this point forward, people  shall also certainly recall August 9, 2014, as the day when 18-year-old’s Michael Brown’s death served to ignite a series of violent night-time protests  eerily reminiscent of similar scenes from the 1960s. The chaos also functioned  as yet one more reminder of how readily th

This French edition of "King, Malcolm, Baldwin: Three Interviews" by Dr. Kenneth B. Clark illustrates just influential Baldwin's writings became during the 1960s and 1970s . Editorial Note : The full post of this article by Aberjhani on LinkedIn and accessible via the link below incorporates a segment of the previously published essay The Year of James Baldwin Now in Full Classic Literary Swing Before there were human resource managers and action research teams counseling American corporations on the advantages of embracing diversity rather than vilifying it, there was author James Baldwin putting the theory to the test in acclaimed essays, novels, plays, short stories, poems, and dialogues. Social networkers in recent weeks have found occasion to quote those writings in regard to everything from a Palestinian state and gay marriage equality to Barack  Obama’s presidency and the American identity. It is true that he marched alongside Martin Luther King,

Author James Baldwin in St. Paul de Vence, France, 1976. (photo by Dmitri Kasterine) “It has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within. And yet, the terror within is far truer and far more powerful than any of our labels: the labels change, the terror is constant.” –James Baldwin, from  the essay Nothing Personal Members of New York City’s cultural arts community made a rare kind of decision earlier this year and the results of that decision continue to generate exceptional events and responses. They–– as in Columbia University School of the Arts, Harlem Stage, and New York Live Arts–– elected to observe The Year of James Baldwin from April 2014 until June 2015 in honor of the late iconoclastic African-American author’s 90th birthday August 2, 2014. Long before he died on December 1, 1987, millions came to recognize the indelible mark of Baldwin’s impact on, and the incredible depth

“It is difficult to listen to [Michael Jackson’s] ‘Do You Know Where Your Children Are’ without thinking about the ongoing #BringBackOurGirls campaign.” –Article Excerpt (Aberjhani) What television audiences experienced with the debut of “Slave to the Rhythm” was Mr. Jackson as transhumanist art in its more positive and inspiring holographic form. Anyone who finds that statement unsettling probably should not. At least one potential definition of transhumanist art is the creative representation of a person, such as in a work of visual art or literature, which utilizes advanced technologies (or allusion to such technologies) to symbolize humanity as an enhanced species closer to cyborgs or angels than to apes. In its broader philosophical framework, transhumanism is a futuristic ideology that studies both the likely pitfalls and potential benefits of employing technology to enhance the physical, intellectual, and overall psychic capacities of human beings. If you accep

                 ( Postered Poetics Xscape graphic derived from original art by Mat Maitland ) “He talked always about giving love. It was never about how much love he got back.”––Antonio “L.A.” Reid discussing Michael Jackson , Xscape Documentary DVD Any announcements of “new music” from Michael Jackson must necessarily and rightly be met with a healthy amount of skepticism. Important questions have to be answered: Is this new music going to be something dug out of once-private vaults simply because of its guaranteed ability to stimulate cash-flow for all those who manage to attach their names to it?  Or will it emerge and stand as a true representation of Jackson’s certified brilliance and successfully extend the incandescent legacy of soul-nourishing rhythms and altruistic service he spent a lifetime creating? The now much-discussed 17 tracks on the “deluxe edition” of the Xscape album allow listeners to consider such questions in depth. Eight “contemporized” v

                                 Maya Angelou "Getting the work done." (graphic by Postered Poetics) “My great hope is to laugh as much as I cry; to get my work done and try to love somebody and have the courage to accept the love in return.” ––author Maya Angelou The death of author Maya Angelou on May 28 and the murderous massacre in Isla Vista in Santa Barbara County, California, on May 23, 2014, occurred within a week of each other. Both forced me to turn my attention away from work on the final proofs for Journey  through the Power of the Rainbow, Quotations from a Life Made Out of Poetry . Then both, in the end, for different reasons, persuaded me to remain as focused as I could and to get the work done. That last phrase in particular––“get the work done”––stood out because I recalled Angelou using it when noting how prolific James Baldwin (as an author of novels, plays, poems, essays, short fiction, and screenplays) had been in comparison to Ralph El

                     Nigeria and Mother's Day illustration by John Cole for The Times-Tribune . When confronted by something too painful, incredulous, or monstrous to believe, a person will sometimes say, “I  couldn't  even wrap my head around that!” Such was probably one of the main reasons the international community took so long to respond in any meaningful way to the abduction of the almost 300 Chibok school girls in Nigeria. The emotional impact was, and is, not completely unlike that of seeing for the first time a film clip of the aircraft exploding against the Twin Towers on 9/11. It was an image unprecedented in one’s mental model of what reality is supposed to be and therefore an image one was not able to immediately process.   Who could believe that an army of armed adult men would attack and abduct nearly 300 school girls in the middle of the night? Moreover, in retrospect, why were the girls left in such a vulnerable position in the first place?  F

Nigerians protest mass abduction of school girls and call for laws to protect young women . (Reuters photo) In chilling contrast to the lyrical verse and candy-sweet images that millions of American families are preparing to enjoy on the 100th anniversary of Mother’s Day, May 11, the families of almost 300 abducted school girls in Nigeria are struggling to maintain sanity while praying for an end to the ordeal. The students reportedly were abducted from the Government Secondary Girl School in Chibok, northeast Nigeria, on April 15 (some reports say April 14). On May 4, Nigeria’s President Goodluck Jonathan issued an appeal to the international community for assistance finding and returning the students, who range in age from 16 to 18. President Jonathan stated, “This is a trying time for this country... it is painful," and promised parents that he would not allow the kidnapping to go unsolved. Video in which the extremist leader of Boko Haram, Abubakar Shekau, claime

                    Cover of new biography Visible Man: The Life of Henry Dumas by Jeffrey B. Leak Among the greatest gifts that poets bestow upon each other’s lives are those of identity and validation. It is often through the mirror of words, meaning, and soul created by one poet that another begins to recognize the true significance of his or her nature. It is also, sometimes, by virtue of the labors of one poet that the stylized reverberations of another is amplified and takes its rightful place within the larger chorus of such voices. When considering the last scenario, the following are but two notable examples: the first is that of author, editor, and photographer Eugene Redmond, whose efforts to preserve the literary legacy of poet and fiction writer Henry Dumas made it possible for many to enjoy Dumas’ formidable works after he was shot to death in 1968. The second is Coleman Barks, the well-known educator and author whose translated interpretations of the life and w

“The music of your vision and purpose came early, composing your destiny while you were still a boy. Laughing at how sweetly the muse kissed your dreams.” --from the poem Gullah-Gospel Griot Allen Fireall What would you call it if you heard about an artist who had been declared legally blind and whose heart had lost the greater percentage of its strength but whom somehow continued to produce masterful paintings in brilliantly-colored detail? The word miracle may not be too extreme at all and it certainly should not be ruled out in the case of Gullah artist Allen Franklin Fireall , who passed away in Savannah, Georgia, on March 31, 2014. Fireall described himself as an “artist historian” who dedicated his talents to preserving the culture and history of his people. In that sense, his work might be described as historical realism. The images he produced support that assessment in bold hues depicting scenes from African-American island and rural life in the Southeast. P

                  Poster featuring iron cast of Walt Whitman's hand courtesy of Academy of American Poets . “Stars ink your fingers with a lexicon of flame blazing rare knowledge.” --from The River of Winged Dreams (Aberjhani) Every year the Academy of American Poets produces a fascinating poster in celebration of National Poetry Month  in April. The Academy, along with such partners as The Poetry Foundation, American Booksellers Association, and American Libraries, very generously makes the poster available for free as a digital download and as a hard copy poster via the U.S. postal service. The posters are always unique in their visual style and feature quotes, from works by famous authors, which are often both compelling and inspiring. Last year’s poster featured a collage of envelopes, stationery, and writing utensil with the following words from the Prague-born poet Rainer Maria Rilke’s   classic book Letters to a Young Poet : “Write about your sorrows, you

Cover of Jail Verse Poems from Kondenquin Prison by Cameroon author and political prisoner Enoh Meyomesse . (PEN International) “Sometimes: the struggle and willingness to say the unsayable –– has cost poets and artists their lives.”––from Journey through the Power of the Rainbow Each year the value, presence, and volume of poetry in the world intensifies after spring arrives largely because the international community celebrates March 21 as World Poetry Day and people in the United States celebrate National Poetry Month in April. Both of these events since their establishment––National Poetry Month by the Academy of American Poets in 1996 and World Poetry Day by UNESCO in 1999––have served to magnify the focus on, and respect for, poetry as a universal cultural legacy. People around the globe felt World Poetry Day significant enough that they celebrated it (some are still doing so) in a number of notable ways, from individual blog posts and the publication of new books

           Untitled photographed mixed-media painting by Jaanika Talts. (All rights reserved by the artist) One need not, after all, call oneself an artist in order to embrace either the beauty that roses give to the world or the genius that one’s love does. (Aberjhani) I. ENCOUNTER WITH BEAUTY When viewing a recent untitled painting by Dublin artist Jaanika Talts a strange thought came to me. It was this: Between the elegant reach of an artist’s color-stained fingers toward  her canvas and the haunted explosion of a soldier’s bullet inside his brother’s  chest, somewhere a terrified soul is seeking shelter inside the warmth of a  stranger’s voice, or an infant is squealing at the incomprehensible delight of discovering  it is alive . As I said, it was a strange thought. Talts’ painting  depicts a cluster of multi-colored roses in different stages of blossoming, nestled against the flesh of dark green leaves and framed by deep brooding shades of emerald, bron

Advocates for civil and human rights march in Washington D.C. (photography by Getty Images) “We must not approach the observance and enforcement of this law in a vengeful spirit. Its purpose is not to punish. Its purpose is not to divide, but to end divisions--divisions which have all lasted too long. Its purpose is national, not regional. Its purpose is to promote a more abiding commitment to freedom, a more constant pursuit of justice, and a deeper respect for human dignity.”–President Lyndon B. Johnson (Remarks upon Signing the Civil Rights Act of 1964) Because so many social and political turning points took place in the United States during the 1960s, the country in recent years has observed a number of important historical milestones and continues to do so in 2014. One such milestone is the 50th anniversary of the Civil Rights Act of 1964 . The act became a law July 2, 1964, making the official anniversary date July 2, 2014. Awareness of that date is particularly