Working cover from the scheduled 2014 book release Journey through the Power of the rainbow . “…We are living in an era in which billions of people are grappling to promote communication, tolerance, and understanding over the more destructive forces of war, terrorism, and political chaos that have characterized the beginning of the 21st Century.” –– Aberjhani, from Journey through the Power of the Rainbow A frequently asked question among readers who took note in 2013 that I was working on a collection of quotations is: have I abandoned the idea? That would have been easy to do considering the reluctance of traditional publishers to invest in books containing any substantial amount of material that has been previously posted on the Internet. The challenge for me, and for the tech angels who get a kick out of throwing whatever pro bono support they can in my direction, was to take a deep breath and dive into the years of published books, unpublished manuscripts, poems

                     Yusef Lateef Gold digital graphic courtesy of Bright Skylark Literary Productions .                             (based on original 1968 Atlantic Records album for "The Blue Yusef Lateef) “ When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place.” Yusef Lateef, from “A Syllogism”   How could I have known, as a nine-year-old child growing up in Savannah’s Hitch Village project, that Yusef Lateef was speaking light in the form of music directly to my soul through his saxophone and flute when I first heard his masterpiece of an album The Blue Yusef Lateef ? I could not have imagined that years later, while seeking the timbres of my own creative voice out in the world, his would find me again. It happened this time as I sat in the window of a hotel in San Francisco’s Tenderloin District, the haunting blues-heavy moans of “Juba Juba” swelling the room as t

                         The Bayou Maharajah himself: James Booker. (photo by Henry Horenstein) “…His music pushes the boundaries of what is possible on the piano with an intricacy that surpasses Chopin. It was this complexity that attracted me to Booker. I needed to find out how a man could be both barely tolerated and completely loved – and how his music might make that possible.” ––Lily Keber, Director’s Statement  Bayou Maharajah , a film by director Lily Keber and producer Nathaniel Kohn on the life of the late New Orleans genius of jazz James Carroll Booker III made its Savannah, Georgia, debut before a full audience at the Telfair Museum’s Jepson Center for the Arts on December 19, 2013. Keber’s exceptional accomplishment in Bayou Maharajah has been acknowledged with several important awards. Among them are: the Oxford American’s Best Southern Film Award, and both the Audience Award and Special Jury Mention for a Louisiana Feature at the New Orleans Film Festival.

                                Cover of Notes to the Future by Nelson Mandela and Desmond Tutu . “Let each know that for each the body, the mind and the soul have been freed to fulfill themselves.” ––Nelson Mandela, Presidential Inauguration Address When Nelson Rolihlahla Mandela stood before the people of South Africa on May 10, 1994, as its first black and democratic president, the moment represented much more than a personal victory. It embodied the kind of glimpse into humanity’s potential for harmonious coexistence that history rarely provides. Neither the concept nor the practice of persecution were invented the day Mr. Mandela began as a middle-aged man serving his 27-year prison sentence on Robben Island in 1963.  There are nevertheless, in his case, the notable distinctions of excruciating sacrifice, phenomenal grace, and uncommon personal evolution which moved almost 100 world leaders to attend his memorial in Johannesburg on Human Rights Day, December 10,

        Presidents Dwight Eisenhower and John F. Kennedy greet poet Robert Frost. (photo by Reuters) During observations from November 16 - 22, 2013, of the 50th anniversary of the assassination of President John Fitzgerald Kennedy, various news commentators noted a history-changing event of a different kind involving the four-time Pulitzer Prize-winning poet Robert Frost. When invited by President Kennedy to become the United States’ first presidential inauguration poet, Mr. Frost dutifully composed for the occasion a 77-line poem frequently referred to as “Dedication” and now published in his collected works, The Poetry of Robert Frost , as: “For John F. Kennedy, His Inauguration, With Some Preliminary History in Rhyme.” However, when attempting to read the poem at the ceremony on January 20, 1961, the glare of sunlight reflecting off snow made it impossible and Frost instead famously recited from memory the much shorter 16-line poem titled “The Gift Outright.”  With

                   Albert Camus graphic with quote by Aberjhani provided by Postered Poetics . After kicking off the Text and Meaning Series with an article on Martin Luther King Jr.’s I Have a Dream speech in August, the latest installment is on Albert Camus’ classic book, The Myth of Sisyphus. The Text and Meaning Series is one reminder that some of the battles we’ve found ourselves struggling through in 2013–– as if thrashing while asleep and trying to wake from nightmares–– have been fought before. In many cases it was believed victory had already been won. I started the Text and Meaning Series largely as a way of introducing classic works into conversations on current topics and events. It presently consists of the following: 1) Text and Meaning in Martin Luther King Jr.’s I Have a Dream Speech 2) Text and Meaning in Encyclopedia of the Harlem Renaissance 3) Text and Meaning in Langston Hughes The Negro Artist and the Racial Mountain 4) Text and Meaning i

                      Author Albert Camus (photography by Henri Cartier-Bresson (1908-2004 ) "The struggle itself towards the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.” –– Albert Camus , The Myth of Sisyphus Albert Camus may have died tragically when the car in which he was a passenger crashed on January 4, 1960, but the novels, plays, essays, articles and notebooks he left behind continue to help lend clarity to individual and collective conflicts within the world in 2013. November 7 marks the 100th anniversary of the author’s birth and even though his works are already taught in high schools and universities around the world, the occasion of his centennial has prompted numerous events that have been taking place throughout the year. On November 7 and 8, the Albert Camus Society will host a Centennial Conference from 9:30 a.m. until 5:30 p.m. on both days at the Swedenborg Society Building in London. Tickets to the event, which will

Portrait of Jalal al-Din Rumi by Haydar Hatemi . “We are the mirror as well as the face in it. We are tasting the taste this minute of eternity. We are pain and what cures pain, both. We are the sweet cold water and the jar that pours.” --Jalal al-Din Rumi as interpreted by Coleman Barks in The Essential Rumi War is an addiction to chaos that shreds human souls into tattered rags of trauma.   In acknowledgement of Rumi’s 806th birthday, I’m all for Syria, Al Qaeda, Al Shabaab, and all other countries and organizations at war with each other to exchange their guns and bombs for poems by Mevlana. Replace tanks and drones with open mics and let everyone brave enough go at it. Whoever spits the most verses, quatrains, long poems, or quotes by Rumi wins the right to proclaim peace and throw a feast in honor of sanity, brotherhood, sisterhood, and childhood. Is that likely to happen? No, not very, but the ecstatic beauty and soulful grace of Rumi’s poetry inspires human hearts

Classic portrait of Langston Hughes by the German artist Winold Reiss (Credit: Smithsonian Magazine) “We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs.”––Langston Hughes Among the superstars who recently joined late-night television talk show host Arsenio Hall on the set of his newly-revived program was hip-hop pioneer and mogul Russell Simmons. In addition to expressing enthusiasm over sharing meditation with his children and exploring new film opportunities in Hollywood, Simmons spoke briefly and somewhat reservedly about a recent controversy involving artistic freedom versus social responsibility. Without going into details about the scandal-plagued “Harriet Tubman Sex Tape” video that he posted on, and then quickly removed from, his All Def Digital YouTube channel, Simmons admitted the backlash it created prompted the only instance where he felt compelled––after being pressured by different civil rights organizations––to withdraw artis

  (10th Anniversary digital graphic for Encyclopedia of the Harlem Renaissance by Postered Poetics based on original cover design by Facts on File with art by Jacob Lawrence .) “The story of African Americans was crafted anew into a poignant commentary on individual and group progress under great pressure, a story that over time became one of the most compelling of American narratives.” ––Dr. Clement Alexander Price September 2013 represents the landmark 10th anniversary of the publication of the groundbreaking Encyclopedia of the Harlem Renaissance (Facts on File, 2003) co-authored by educator Sandra L. West and featuring a foreword by Dr. Clement Alexander Price, founder and director of the Institute on Ethnicity, Culture, and the Modern Experience at Rutgers University, Newark Campus, New Jersey. Almost seemingly as if in honor of that event, on August 29 President Barack Obama announced his intent to appoint Dr. Price to the position of Vice Chairman of the Adviso

Martin Luther King Jr. waves at crowd during 1963 March on Washington. (Associated Press file photo) “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness.” ––Martin Luther King, Jr., I Have a Dream I n its essence, “ I Have a Dream ” is one citizen’s soul-searing plea with his countrymen––Whites and Blacks––to recognize that racial disparities fueled by unwarranted bigotry were crippling America’s ability to shine as a true beacon of democracy in a world filled with people groping their way through suffocating shadows of political turmoil , economic oppression, military mayhem, starvation, and disease. The speech is particularly remarkable for the way it balances a militant rejection of racial and politica

“Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.” -- MLK poster art with quote by Aberjhani courtesy of Bright Skylark Literary Productions . Different roads provide diverse routes to freedom. For many, the path is an interior one. It first requires an individual to the clear from the landscape of inner being those areas overgrown with woody thickets of doubt and trauma or buried beneath swamplands of self-imposed limitations. There are others––like the Americans who struggled for civil rights in the 1960s, and citizens of the Middle East and various African countries currently battling for basic human rights–– who take a more public journey to freedom. Their sense and experience of liberty is defined by interaction with the external dictates of history, evolving cultural persuasions, a

“He captured the spotlight of history precisely at the right time, and responded with a blueprint for what America could become if it trusted its democratic legacy… He was murdered. But his dream still excites our social and political imaginations. It beckons us to work, to realize the dream that America can indeed be a truly pluralistic society and that planet Earth can be a place in the universe where peace, justice, and freedom are the dominant ethos.” ––James M. Washington, Introduction to A Testament of Hope , The Essential Writings and Speeches of Martin Luther King, Jr . August 28, 2013, will mark the 50th anniversary of the great 1963 March on Washington D.C. for Civil Rights and for Martin Luther King Jr.’s delivery of his now iconic “I Have a Dream” speech before a national audience.  Plans had long been underway to commemorate the event on Saturday, August 24, with a symbolic reenactment of the original march. Recent events, however, such as George Zimmerman’s acq

                       The late jazz bassist Ben Tucker. ( photo courtesy of MySpace music artist page ) It is always difficult to make peace with the death of someone who gives as much to a city as preeminent jazz-man Ben Tucker gave through his musical genius, philanthropy, and love to Savannah, Georgia. It is even harder when that death occurs violently and makes one feel like it should have never happened in the first place. Nevertheless, that so many are now taking time to remember and honor him is truly inspiring. It was never my privilege to know Tucker as well as many others in Savannah’s jazz and cultural arts community did but it was my good fortune to benefit from his expansive creative endeavors. The 2009 article A Son of Savannah Celebrated  was one small attempt to pay tribute to the man while still in his jazz swinging prime 2009: The City of Savannah Celebrates a Favorite Son - National African-American Art | Examiner.com Aberjhani

Crowd celebrating life of Michael Jackson after his death during Black Music Month 2009.  (Getty image) The basic idea underlying the concept of Pan Africanism is that of cultural awareness and connection leading to mutually beneficial cooperation between people of African descent throughout the Global Village . It is a concept which those who are possibly more politically, philosophically, and economically motivated have promoted at least since the year 1900. One of the ways this powerful theory has met with notable success in practice has been in the area of music. To help ensure the viability of African-American music in particular, famed music producer Kenny Gamble and broadcast executive Ed Wright in 1979 persuaded then President Jimmy Carter to declare June as Black Music Month. The crowning event that year was a celebration concert held on June 7 at the White House. Featured on that occasion were representatives of the broader spectrum of black music, from the rock and

Syrian children behind a barbed wire fence at the Ceylanpinar refugee camp in the Sanliurfa province of  Turkey . (Photo by Reuters) At the heart of Creative Thinkers International’s operational philosophy has always been a core belief in the ability of positive creativity to help inspire nonviolent conflict resolution. This is not a romantic notion; it is a crucial alternative. The blood-and-bone-splattering spectacles of war have come to command most news headlines in the modern world. The maniacal brutality that was 9/11 engraved in the world’s collective consciousness themes and realities intensified by perpetual chaos, terror, and death. It is a chilling prospect, and yet an observable phenomenon, that humanity at this point in history too often defines itself by how efficiently it destroys itself. Love, it seems, is valued most when violence or disease threaten to annihilate the life that would serve as a channel for it. Men and women discover the deeper nature

                                 ( embossed graphic courtesy of Bright Skylark Literary Prods ) Encyclopedia of the Harlem Renaissance , first published by Facts On File in 2003 and through Infobase Publishing in 2010, is now available as a Kindle Edition on Amazon and that is big news for a lot of good reasons. For one, 2013 marks the tenth anniversary of Encyclopedia of the Harlem Renaissance’s publication and a new edition of a new edition of a modern award-winning classic is always a good way to celebrate such occasions. Secondly, advances in technology proved a powerful component of the Harlem Renaissance just as it has in the contemporary era. During the 1920s and 1930s, important developments took place through the growing radio and the recording industries. Those advances not only allowed African Americans to showcase and preserve the marvels of black music such as jazz , ragtime, and the blues. It gave also them a foothold in an industry that allowed many to

             Music legends Ray Charles and Ahmet Ertegun (Reuters photo by Fred Prouser) “God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations. Jazz speaks for life.”  ––Dr. Martin Luther King Jr., 1964 Berlin Jazz Festival Opening Address The second International Jazz Day Global Concert held April 30, 2013, in Istanbul, Turkey, was as much about the long-standing relationship between the music and the country of Turkey as it was about a world audience enjoying an exceptional line-up of world-class performers. Millions unable to attend the concert physically were able to do so via a live stream on YouTube and other web locations. The music of jazz is one which many African Americans are prone to jealously safeguarding as an original form of creative expression linked dire

Not far from the scene of the Boston Marathon bombing, a toddler kneels before a memorial to the victims of the atrocity.  ( Photo by Jim Bourg and Reuters ) For those so inclined, it was and is natural in the aftermath of the Boston Marathon bombing to share prayers and thoughts for healing on behalf of victims and their families. Many have conditioned themselves to respond in such a manner partly because it is within their power to do so and partly because they hope others would feel moved in the same way toward them if they were the ones whose bodies and sanity had been shattered so brutally. Victims, after all, within the context of terrorism––whether homegrown or imported––are much like newborn innocents simply because they have not signed up for a war. In this particular case, they had simply stepped out into the light of day intending to honor, preserve, and celebrate a long-standing tradition. Some might argue (and in fact some do) that America, like much of the re

            (Cover for first edition of fiction and poetry collection I Made My Boy Out of Poetry) “Dedicated artists, innovators, and stewards of our language, they tell us not only who we are, but also who we can become. They distill our emotions, clarify our thoughts, and renew our spirits with the vigor of their words and the freshness of their perspective.” ––Former President Bill Clinton, from Letter Acknowledging Launch of National Poetry Month, April 1, 1996 Members of the Academy of American Poets had no way of knowing when they established National Poetry Month in 1996 that something called 9/11 would pop up on the radar screen of history just four years later. Although a man-made mass trauma, 9/11 was equal in emotional impact to what came later: the 2004 Indian Ocean earthquake that took approximately 225 thousand lives, the 2010 earthquake that brought Haiti to its already weary knees with more than 300 thousand deaths, and the combined tsunami and nuclear disa