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Is Hiphop the New Harlem Renaissance?

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(photo of Bayo Olorunto and A.K. Powell courtesy of Nightjohn) In many ways Hiphop is the Harlem Renaissance of the twentyfirst century. Two particularly good examples supportive of that hypothesis are Bayo Olorunto (a member here at CB) and A.K. Powell. Known collectively as Nightjohn, theirs is the combined talent behind the icon-challenging book "The Hiphop Driven Life" and their ultra-fresh self-titled CD. So how do we bridge the historical gap between such giants of the (1920s to 1940s) Harlem Renaissance as author Zora Neale Hurston and jazz great Duke Ellington, and the modern-day multi-talented duo Nightjohn? By considering the following factors: Just as the highly successful Harlem Renaissance blossomed out of the innate creative talents of African Americans, so did the crossover triumph of Hiphop. Just as advances in technology, the growth of the publishing industry, diverse forms of black music, and everyday folk culture provided the Harlem Renaissance with the raw...

The Harlem Renaissance Way Down South

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Discussions on the Great Northern Migration of African Americans out of the South during the first half of the Twentieth Century often focus on what the millions of migrants escaped, or left behind. The new HARLEM RENAISSANCE WAY DOWN SOUTH, available exclusively as an Amazon Short on Amazon.com, takes a look at what they took with them to help insure the extraordinary success of the Harlem Renaissance––a movement which today still drives artistic creations, political movements, and social philosophies. To purchase THE HARLEM RENAISSANCE WAY DOWN SOUTH, please click on the title link above.

THE GODDESS AND THE SKYLARK, DANCING THROUGH THE WORD LABYRINTH

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The highly prized art of poetry advanced during the first Harlem Renaissance through the growth of the print publishing industry. Magazines such as The Crisis, The Messenger, and Opporutiny provided principle figures of the political and cultural movement with a platform that validated their voices as well as amplified them. Poets and spoken word artists of the modern Harlem Renaissance often find a similar platform in such media as CDs and downloads. A powerful example of the state of the art is THE GODDESS AND THE SKYLARK, DANCING THROUGH THE WORD LABYRINTH, a mosaic of compelling words and absorbing music produced by Mark "Rahkyt" Rockeymoore, and that features poetry and recitals by Nordette Adams and Aberjhani. The venture confirms the increasing significance of poetry's commanding legacy at the same time that it expands and extends it.

SECOND REPORT ON REINTERPRETATION OF SLAVERY IN SAVANNAH

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(photo of Dr. Deborah Mack by Luther Vann) Serious explorers of culture such as the dancers Katherine Dunham and Pearl Primus, and author Zora Neale Hurston, employed the science of anthropology as an important tool in their art during the first Harlem Renaissance of the early 1900s. They not only used anthropology to identify and preserve the legacies and values of the African Diaspora, but to further validate within the United States the growing demands for equality that eventually developed into the civil rights movement. As the present Harlem Renaissance of the New Millennium continues to progress, anthropology remains a significant tool for the identification, retrieval, and preservation of stories that define the experiences of African Americans and others who are part of the greater African Diaspora. Groups such as the Association of Black Anthropologists labor to further discover, document, and interpret the realities of black and world history. Among the leaders in this growin...