First Lady Michelle Obama. (Photo by Alex Wong/Getty Images) The amazing W.E.B. Du Bois is often celebrated as one of America’s greatest educators, historians, human rights leaders, prolific authors, and galvanizing change agents. What many may not realize is that during the first half of the 20th century he stood among that select group of “enlightened” men who championed the rights of women, and who argued that their full empowerment was crucial to the continuing development of democratic ideals and practices. The degree to which Dr. Bois believed the unfettered role of women in American society was an absolutely essential one can be summed up in part by these words from his pen: “...No state can be strong which excludes from its expressed wisdom, the knowledge possessed by mothers, wives and daughters.” There are numerous reasons to spend time considering Du Bois’ insight on women’s equality at this specific juncture of history in th

Director Ava DuVernay talks about the SELMA movie at Sirius XM in New York . (Getty Image by Robin Marchant) For me, the movie Selma provided 3 very important opportunities. The first was to celebrate the fact that the extraordinary story of the people of Selma, Alabama, had received “big-screen movie treatment” with director Ava DuVernay, producers Oprah Winfrey and Brad Pitt, and a cast of some of the most gifted actors working today, including David Oyelowo as Martin Luther King, Jr., at the helm. The second important opportunity was a chance to write about the movie’s potential impact on present-day campaigns to secure various gains won in the past but clearly placed at risk in the present. Due to the nature of the subject, I knew the planned article would require at least a 2-part installment.  However, a trip to Selma in 2009 to participate in the annual Bridge Crossing Jubilee had inspired an essay:  To check out the full story behind the stories please click th

Author James Baldwin in St. Paul de Vence, France, 1976. (photo by Dmitri Kasterine) “It has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within. And yet, the terror within is far truer and far more powerful than any of our labels: the labels change, the terror is constant.” –James Baldwin, from  the essay Nothing Personal Members of New York City’s cultural arts community made a rare kind of decision earlier this year and the results of that decision continue to generate exceptional events and responses. They–– as in Columbia University School of the Arts, Harlem Stage, and New York Live Arts–– elected to observe The Year of James Baldwin from April 2014 until June 2015 in honor of the late iconoclastic African-American author’s 90th birthday August 2, 2014. Long before he died on December 1, 1987, millions came to recognize the indelible mark of Baldwin’s impact on, and the incredible depth

Nigerians protest mass abduction of school girls and call for laws to protect young women . (Reuters photo) In chilling contrast to the lyrical verse and candy-sweet images that millions of American families are preparing to enjoy on the 100th anniversary of Mother’s Day, May 11, the families of almost 300 abducted school girls in Nigeria are struggling to maintain sanity while praying for an end to the ordeal. The students reportedly were abducted from the Government Secondary Girl School in Chibok, northeast Nigeria, on April 15 (some reports say April 14). On May 4, Nigeria’s President Goodluck Jonathan issued an appeal to the international community for assistance finding and returning the students, who range in age from 16 to 18. President Jonathan stated, “This is a trying time for this country... it is painful," and promised parents that he would not allow the kidnapping to go unsolved. Video in which the extremist leader of Boko Haram, Abubakar Shekau, claime

Varieties of angels, like varieties of love, are many. It is therefore not too surprising that the angelic imagery utilized to help celebrate Valentine’s Day tends to range from innocent blushing cherubs to winged beauties swagged out in erotic creations worthy of placement in a Victoria’s Secret catalog. Valentine’s Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies. The effective marketing of Valentine fantasy movies such as Winter’sTale (with Colin Farrell, Jennifer Connelly, and Jessica Brown Findlay);and the film Endless Love (with Gabriella Wilde and Alex Pettyfer) support that observation. Movies can provide tear-inducing or comically-entertaining representations of love but many agree that its deeper conflicting complexities often seem unfathomable. That is largely because different human hearts often interpret their experiences of love in different ways. Class

                                1972 Associated Press photo of Amiri Baraka by Julian C. Wilson . This story was originally published as part 2 of "Two Literary Laureates Celebrated: Herta Muller and Amiri Baraka." It was written at the time in honor of the great Amiri Baraka's (1934-2014) 75th birthday. It is shared now upon the occasion of his passing : While his was not among the names short-listed for the Nobel Prize in Literature, Amiri Baraka has long been lionized for his tell-tale intellectually precise yet poetic analysis of U.S. culture and his fire-brand style of political truth-telling.   A playwright, novelist, poet, essayist, short-story writer and performance artist all wrapped into one, the Newark-born Baraka attended Rutgers and Howard Universities and is a veteran of the U.S. Air Force. He launched his writing career under the name LeRoi Jones with the 1958 play, A Good Girl is Hard to Find, produced in Montclair , New Jersey . He went on

“He got kicked in the back He say he needed that He hot willed in the face Keep daring to motivate…” –– from the song History by Michael Jackson Upon the launch of the Guerrilla Decontextualization website in August 2012, the concept that inspired it was defined primarily in ultra-modern technological terms. Examples of the practice included the following: short clips from longer videos presented as definitive statements of an individual’s beliefs, photographs of private moments marketed for public entertainment, and statements made decades ago reported on the evening news as though they were made just a few hours earlier. All were instances of events removed from their original context for the purpose of fulfilling an undisclosed agenda. The result often went beyond simple defamation of character, which is generally defined as any knowingly erroneous communication that damages an individual’s or organization’s reputation. By insidious contrast, guerrilla decontextualiz

                                                  Rev. Jeremiah Wright (press release photo) “…Y ou are looking at the miracles and missing the meaning behind the miracles.” --Rev. Jeremiah A. Wright Guerrilla decontextualization is a somewhat ungainly term that falls more out of line than in line with similar coined phrases such as: guerrilla marketing, guerrilla filmmaking, or guerrilla street artist. These comparable terms have in common ideas of creative expansion or independent expressiveness. Guerrilla decontextualization on the other hand belongs on the more sinister lexicon family branch of the term guerrilla warfare. It can be defined as the practice of extracting such elements of media technology as video clips, sound bites, and manipulated images for largely two purposes.  One would be to intentionally misrepresent an individual’s character or intentions in order to decrease any measure of influence or authority they might possess in either public or

                    Journalist, publisher, and blogger Eskinder Nega. (World News photo) “ I am Eskinder Nega. Like my hero Nelson Mandela, my soul is unconquered, my spirit unbroken, my head unbowed, and my heart unafraid.”—Eskinder Nega from I Am Eskinder Nega Change is one of the scariest things in the world and yet it is also one of those variables of human existence that no one can avoid. One may literally find the lessons of that simple observation all over the map at this halfway point in the year 2012–– and only a few months before Americans take their collective political fate into their own hands during one of the most intense presidential elections on historical record.  From such a perspective, it matters less whether you look at the U.S. Supreme Court’s recent decisions to skillfully dissect Arizona’s (and by extension similar states’) Illegal Immigration Law, and then largely uphold President Barack Obama’s Patient Protection and Affordable Care Act as vi

Cover of the forthcoming Visions of a Skyalrk Dressed in Black eBook . The story behind the annual Juneteenth celebration is now fairly well known. The event commemorates June 19, 1865, the day slaves in Galveston, Texas, and other parts of the state learned for the first time they had actually been freed via the Emancipation Proclamation two years earlier. There is not much with which to compare such an event to in the year 2012 . But try this: imagine how a group of prisoners might feel if they learned their innocence had been proven years ago and orders for their release signed but left forgotten in someone’s desk drawer. At this point in time, just three years before the 150th anniversary of Juneteenth, the holiday has come to represent a great deal more than recognition of delayed freedom. A statement from the Juneteenth Worldwide Celebration website founded by Clifford Robinson put it as follows: "Juneteenth is a day of reflection, a day of renewal, a p

President Barack Obama toasting Queen Elizabeth II with actor Tom Hanks at 2011 celebration for the Queen . (photo by White House photographer Pete Souza) The British Prime Minister Winston Churchill during World War II reportedly quoted the great Harlem Renaissance poet Claude McKay’s poem “If We Must Die” when he addressed the joint houses of the U.S. Congress on the eve of America’s entry into the war. South African President Nelson Mandela recited “Invictus,” by William Ernest Henley, to fellow inmates while imprisoned on Robben Island and “The Child” by Ingrid Jonker when South Africa’s first democratic parliament opened in 1994. American presidents , governors, and mayors have often presented samples of some of the most luminous talents in modern literary history to provide moral and intellectual frameworks for their stated, even if not their actual, political intentions. Inauguration poets James Dickey, Maya Angelou, and Elizabeth Alexander are a few examples. H

Award-winning journalist Serkalem Fasil accepts the 2012 PEN Freedom to Write Award for husband Eskinder Nega . (photo by Beowulf Sheehan, PEN American Center/Associated Press) Political relations between China and the United States may have been visibly strained due to Chinese activist and lawyer Chen Guangcheng’s unexpected bid for asylum last week but diplomacy and fellowship between authors from across the globe proved the exact opposite throughout PEN American Center’s World Voices Festival from April 30 to May 6. Currently celebrating the 90th anniversary of PEN American Center, headquartered in New York City, members of the organization hosted some 100 writers from more than two dozen countries during the festival. The event concluded Sunday with former PEN president Salman Rushdie’s presentation of the Arthur Miller Freedom to Write Lecture . Several locations in the city served as festival venues, including the The Standard, the Metropolitan Museum of Art, th

Filmmaker Goran Hugo Olsson and actor/producer Danny Glover. ( Photo by Larry Busacca and Getty Images ) After opening in U.S. theatres September 9, 2011, and closing November 6, 2011, The Black Power Mixtape 1967-1975 managed a total d omestic gross of only $268,813 before making its debut on Public Broadcast Stations (PBS) over the February 10-12, 2012, Black History Month weekend. Although the documentary film made its PBS debut as stated, it did so in the state of Georgia initially on channels accessible only to those who subscribe to high definition cable services. It later aired on more accessible channels at 1 a.m., 3 a.m., and 6 a.m. respectively. Consequently, many who may have wanted to see it did not and those still wishing to see the film would do well to check local broadcast schedules before its final PBS showing on February 29, or, invest in the DVD. That a film such as The Help has grossed almost $170 million during its theatre run, and is nominated for this ye

(Cover of audio for Days of Grace by Arthur Ashe) The word “iconic” is usually more than sufficient to describe exceptional contributors to African-American and world history but in the case of tennis great and philanthropist Arthur Ashe it barely seems to scratch the surface. The term fits his status as one of the great men of his time well enough that in 2005 the United States Postal Service issued a stamp in his honor. The stamp bears the same image of Ashe that was featured on the cover of Sports Illustrated Magazine in 1992 when he was named “Sportsman of the Year.” That singular tribute reveals something of the magnitude of his positive impact upon the world before his death––and even afterwards–– at the relatively young age of forty-nine. However, the man himself provided a deeper sense of who and what he was in the memoir Days of Grace. To continue reading the full article with a review of Arthur Ashe's DAYS OF GRACE by Aberjhani please click this link : Notebook on Bla

Historian Carter G. Woodson, who during the Harlem Renaissance founded Black History Week––later to become Black History Month––was a powerful visionary able to resist the constant denigration of his people’s humanity as represented by institutional racism and counter it with more positive affirmations made with groundbreaking research and publications. While twentieth century organizations such as the American Eugenics Society and the Ku Klux Klan devoted their resources to asserting the inferiority of African Americans, Woodson valiantly identified among his people examples of genius and innovation that revealed a very different story. For the full article by Aberjhani please click this link: Notebook on Black History Month 2012 (Part 1): Carter G. Woodson and Company - National African-American Art | Examiner.com

Cover of National Urban League's "State of Black America." Just as the previous two annual countdowns from the National African American Art Examiner contained people and events some found debatable, this one for the year 2011 is likely to do the same. The point, however, remains unchanged: to highlight known as well as largely ignored moments that have added significantly to contemporary ongoing African-American culture and history, and thereby adding the same to current American and world history in general. At one end of the continuum known as history are first-time events that have generated notable measures of public recognition due to either a positive or negative impact. At the other end of the spectrum are individuals, organizations, and occurrences which have earned acknowledgment due to their enduring longevity and lasting influence upon humanity. This countdown list includes both and will be presented in ten separate posts starting Wednesday, December 14. Abou

Earlier this year, August 2, numerous individuals and institutions acknowledged the eighty-seventh anniversary of the birth of American author James Baldwin, and on December 1 observers noted the twenty-fourth anniversary of his death at the age of sixty-three. Interest in Baldwin’s novels, plays, essays, and life has been on the upswing since the 2010 publication of previously uncollected writings by him in The Cross of Redemption (edited by Randall Kenan). That interest grew stronger throughout 2011 as commentaries surfaced on the Internet regarding Baldwin’s 1963 prediction that the United States would one day have an African-American president. To read the full article by Aberjhani please click the link: Events in 2011 and forthcoming book strengthen James Baldwin's legacy - National African-American Art | Examiner.com

( AP photo of Davis protesters by David Tullis ) After many people had made their peace with the idea of Georgia death-row inmate Troy Anthony Davis’ life ending at 7 p.m. on September 21, 2011, the U.S. Supreme Courts just after 7 p.m. issued a call for a “temporary delay” of his death, but then again at 10:20 said it would not block the execution. Officials then announced that Davis was executed at 11:08 p.m. Please click the link to read the full article by Aberjhani : Savannah Talks Troy Anthony Davis No. 16: Davis Executed - National African-American Art | Examiner.com

Troy Davis in court room . Neither petitions bearing the names of almost one million people nor requests from such high-profile figures as former U.S. President Jimmy Carter and Pope Benedict XVI convinced the Georgia State Board of Pardons and Paroles to cancel the execution of Troy Anthony Davis scheduled to take place September 21. With the Board presenting its announcement just one day before the planned execution, it appears that the two-decade-long struggle to free Troy Anthony Davis, following his conviction for the 1989 murder of Savannah police officer Mark Allen MacPhail , may soon come to an end. For the full article by Aberjhani please click the link : Savannah Talks Troy Anthony Davis No. 15: Board Denies Clemency - National African-American Art | Examiner.com