Yusef Lateef Gold digital graphic courtesy of Bright Skylark Literary Productions .                             (based on original 1968 Atlantic Records album for "The Blue Yusef Lateef) “ When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place.” Yusef Lateef, from “A Syllogism”   How could I have known, as a nine-year-old child growing up in Savannah’s Hitch Village project, that Yusef Lateef was speaking light in the form of music directly to my soul through his saxophone and flute when I first heard his masterpiece of an album The Blue Yusef Lateef ? I could not have imagined that years later, while seeking the timbres of my own creative voice out in the world, his would find me again. It happened this time as I sat in the window of a hotel in San Francisco’s Tenderloin District, the haunting blues-heavy moans of “Juba Juba” swelling the room as t

                       The late jazz bassist Ben Tucker. ( photo courtesy of MySpace music artist page ) It is always difficult to make peace with the death of someone who gives as much to a city as preeminent jazz-man Ben Tucker gave through his musical genius, philanthropy, and love to Savannah, Georgia. It is even harder when that death occurs violently and makes one feel like it should have never happened in the first place. Nevertheless, that so many are now taking time to remember and honor him is truly inspiring. It was never my privilege to know Tucker as well as many others in Savannah’s jazz and cultural arts community did but it was my good fortune to benefit from his expansive creative endeavors. The 2009 article A Son of Savannah Celebrated  was one small attempt to pay tribute to the man while still in his jazz swinging prime 2009: The City of Savannah Celebrates a Favorite Son - National African-American Art | Examiner.com Aberjhani

                               ( Photo of late actor Michael Clarke Duncan by Ethan Miller for WireImage ) Since his emergence during the 1980s and 1990s as a master of horror and suspense, author Stephen King has enjoyed popularity among a racially diverse reading audience. His popularity among African Africans likely ticked up a notch when his novel The Green Mile was made into a movie in 1999 and the late Michael Clarke Duncan brilliantly brought King’s character, John Coffey, to awe-inspiring life. Duncan, who died September 3, 2012, at the age of 54 from complications following a heart attack suffered in July, received an Academy Award nomination for the role. Moreover, he actually won the Saturn Award, Black Reel Award, Broadcast Film Critics Association Critics’ Choice Award, and Southeastern Film Critics Association Award for his performance. The accolades that rained upon Duncan and the fact that he earned himself a spot among Hollywood A-listers di

(Cover of Whitney Houston's brilliant debut album .) With the death of Soul Train founder Don Cornelius at the very beginning of the month, and that of Whitney Houston on February 11, Black History Month 2012 is fated to go down in history as one during which the world lost two of its greatest champions of African-American music. Moreover, since almost two weeks still remain in the month, one presents such a statement with noted caution. Yet as the world community and the good people of Newark, New Jersey, bid farewell to the elegant Whitney Elizabeth Houston, it seems appropriate to pause a moment and give some consideration to things of an elevated nature. To repeat myself from another occasion: Sometimes an angel gets in my head and refuses to leave until I write down whatever it says. It felt that way when Michael Jackson passed in 2009 and it feels like that now. Please click the following link to read the full editorial and poem by Aberjhani in honor of Whitney

Celebrated poet and theater directory Clinton D. Powell . For a tribute in poetry and prose to one of the celebrated poets in the history of Savannah, Georgia, please click this link : A poem for a poet

Michael Jackson and summertime from this point on - National African-American Art