Untitled photographed mixed-media painting by Jaanika Talts. (All rights reserved by the artist) One need not, after all, call oneself an artist in order to embrace either the beauty that roses give to the world or the genius that one’s love does. (Aberjhani) I. ENCOUNTER WITH BEAUTY When viewing a recent untitled painting by Dublin artist Jaanika Talts a strange thought came to me. It was this: Between the elegant reach of an artist’s color-stained fingers toward  her canvas and the haunted explosion of a soldier’s bullet inside his brother’s  chest, somewhere a terrified soul is seeking shelter inside the warmth of a  stranger’s voice, or an infant is squealing at the incomprehensible delight of discovering  it is alive . As I said, it was a strange thought. Talts’ painting  depicts a cluster of multi-colored roses in different stages of blossoming, nestled against the flesh of dark green leaves and framed by deep brooding shades of emerald, bron

                                1972 Associated Press photo of Amiri Baraka by Julian C. Wilson . This story was originally published as part 2 of "Two Literary Laureates Celebrated: Herta Muller and Amiri Baraka." It was written at the time in honor of the great Amiri Baraka's (1934-2014) 75th birthday. It is shared now upon the occasion of his passing : While his was not among the names short-listed for the Nobel Prize in Literature, Amiri Baraka has long been lionized for his tell-tale intellectually precise yet poetic analysis of U.S. culture and his fire-brand style of political truth-telling.   A playwright, novelist, poet, essayist, short-story writer and performance artist all wrapped into one, the Newark-born Baraka attended Rutgers and Howard Universities and is a veteran of the U.S. Air Force. He launched his writing career under the name LeRoi Jones with the 1958 play, A Good Girl is Hard to Find, produced in Montclair , New Jersey . He went on

                   The ever-popular LL Cool J on the March 2013 cover of ESSENCE Magazine . “What I’m sowing today, I be reaping tomorrow So here’s some joyful bars, to replace your sorrow.” --LL Cool J (from Old School New School ) It was very difficult not to laugh when reading Robbie Ettelson’s satirical rant, “Being Positive is for Chumps,” in last week’s online Acclaim Magazine , against celebrity rappers for their inspiration-oriented tweets. In fact, I’ll admit it. Even though the sarcastic tirade was based in large part on a quote from The River of Winged Dreams , the subtitle of the piece almost sent me rolling on the floor: “If Robbie of Unkut comes across one more inspirational tweet from a rapper he's going to vomit rainbows.” At the same time, I smiled at the realization that the quotes which apparently have threatened to turn Robbie’s tummy inside out were often, for the rappers who shared them, not just quotes at all. They were testimonials to w

          “The Universe said, ‘let me show your soul something            beautiful.’”                  ––Aberjhani (from ELEMENTAL, The Power of                      Illuminated Love) If emergent expressionism lends chromatic form and substance to in-between states of metamorphosis, then transformative impressionism may be described as endowing such stages of transition with metaphorical narrative. These are images by Jaanika Talts in which her literary inclinations are most apparent and they evoke a clear theme, scene, symbol, or principle. The artist’s depictions of mythology’s (as well as history’s and literature’s) Venus and Cupid , The Siren’s Dream , Ophelia , and Salome are a few of the canvases and digital art compositions which borrow cues from classic stories. What makes them uniquely engaging is her own finely-honed perspective, which seems as culturally expansive as it is aesthetically versatile. She is equally comfortable with more contemporary reference

Logo for PEN International World Association of Writers The PEN American Center turned all of 90 years old in 2012 and recently decided to give itself a very useful digital facelift. With such cases like that of the Qatari poet Mohammed Ibn al-Dheeb al-Ajami , Iranian lawyer Nasrin Sotoudeh, and Ethiopian journalist Eskinder Nega still rocking international headlines, the PEN American Center’s mission in conjunction with PEN international ––to defend the right to freedom of expression and promote the values of literature and literacy––has never been more valuable than right now. As much as I’m enjoying its swagging new style , the upgrade came with a price to which I, and other authors who maintained blogs on the site, now have to adapt. My primary reason for joining PEN American Center last year was to participate in and contribute to the legacy of literary camaraderie first established by C A. Dawson Scott and John Galsworthy––and then later sustained by such lumino

“…The whole purpose of the construction of The Bridge of Silver Wings was to provide a path leading to The River of Winged Dreams, or to serve as a resting place until the river’s deeper and truer nature revealed itself.”              --Aberjhani, from The River of Winged Dreams There were no conscious plans to turn The River of Winged Dreams into one of the most quoted books both on and off the Internet. Had there been such a plan, chances are the users of Facebook, Twitter, Goodreads , Pinterest , Wordpress and other blog sites likely would have been more inclined to avoid the title rather than embrace it. However, that it has become one of the more quietly-celebrated modern works of literature around might be considered less surprising when looking at the private and global circumstances under which it was written. Those circumstances are revealed in the book’s foreword and introduction as well as in the text of the poems and in the essay titled “Feathers of Gold, Feat

                (art quotation graphic courtesy of Bright Skylark Literary Productions )  “ Now come the whispers bearing bouquets of moonbeams and sunlight tremblings.” --Aberjhani (from The River of Winged Dreams) Below is a list of a few links that have been shared with me and which fans of The River of Winged Dreams might appreciate as well. I found the Han Chinese translations of “Angel of Earth Days and Seasons” and “Angel of Peace” particularly interesting because other than a couple of poems in Spanish, these are the only ones I've seen anyone attempt to translate (note to foreign rights publishers: if you’re interested please email me). Equally worthy of attention are the poignantly, inspiringly, and humanly profound meditations by Shay MacKay in her blog post “Rising from the Ashes.” For the list and much more on Aberjhani's The River of Winged Dreams please click the link : A River of Winged Dreams                           Valentine's Day Letter

                                    (Poster courtesy of Bright Skylark Literary Productions ) Recently the following quote from the poem A Poet Is a Clinton D. Powell , also known as “A Poem for a Poet,” has been making the rounds on the Internet: “A poet is a verb that blossoms light.” The poem was written to commemorate my friend Clinton’s inspired life and early death on January 2, 2011. That others have been gleaning some small inspiration and motivation from the phrase seems appropriate enough. He would have liked that because although he was not particularly prolific as a poet, he was an extraordinary champion of the art and those who practiced it. There were few venues in Savannah , Georgia, where he did not turn up for open mics or other poetry showcases (including  classrooms on every educational level) to lend his support.  To read the full post by Aberjhani please click the link : A Bouquet of Light upon Light - Bright Skylark Literary Productions