Poets of the Past and Present in 2014 Spotlight (part 1 of 2)


Cover of Jail Verse Poems from Kondenquin Prison by Cameroon author
and political prisoner Enoh Meyomesse
. (PEN International)
“Sometimes: the struggle and willingness to say the unsayable –– has cost poets and artists their lives.”––from Journey through the Power of the Rainbow
Each year the value, presence, and volume of poetry in the world intensifies after spring arrives largely because the international community celebrates March 21 as World Poetry Day and people in the United
States celebrate National Poetry Month in April. Both of these events since their establishment––National Poetry Month by the Academy of American Poets in 1996 and World Poetry Day by UNESCO in 1999––have served to magnify the focus on, and respect for, poetry as a universal cultural legacy.

People around the globe felt World Poetry Day significant enough that they celebrated it (some are still doing
so) in a number of notable ways, from individual blog posts and the publication of new books to poetry festivals and extended open mic nights. In Ghana, for example, theater groups, members of writers’ workshops, and spoken word artists worked with the Goethe Institute and G3 Channels to stage presentations. At the Customs House in Sydney, Australia, multilingual poets presented recitals in indigenous Aboriginal dialects as well as in English.

Poetry and Freedom: the Case of Enoh Meyomesse
One of the more powerful observations of the day came from English Pen, the original hub for the PEN International collective of literary affiliates (which includes PEN American Center) dedicated to advocating
freedom of expression in literature and journalism. True to its mission, prior to World Poetry Day, PEN sent out a call asking “our supporters to help translate imprisoned poet Enoh Meyomesse’s work
into as many different languages as possible…”
   
To continue reading the full article by Aberjhani please click here:
Poets of the past and present in 2014 spotlight (part 1 of 2) - National African-American Art | Examiner.com

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