By Aberjani: What death of Osama Bin Laden indicates about Barack Obama’s leadership


(Photo of Barack Obama and Michelle Obama by George Burns and Harpo Studios)

Until late Sunday evening on May 1, 2011, the big news in discussions focused on President Barack Obama throughout the weekend was that he and First Lady Michelle Obama were scheduled to appear on the Oprah Winfrey show on May 2. Then TV journalists interrupted regular television broadcasts at approximately 10:45 p.m. with the news that al Qaeda leader Osama Bin Laden had been killed and President Obama himself came on the air about an hour later to confirm the news and provide details on the end of a quest for justice that has taken nearly a full decade to achieve since September 11, 2001.

Delivering an address that evoked the unhealed “gaping hole” left in the heart of Americans following 9/11 along with the heightened sense of patriotic unity that followed, Obama made his purpose for being on television at such an odd hour clear from the beginning:

“Tonight I can report to the American people and to the world that the United States has conducted an operation that killed Osama Bin Laden, the leader of al Qaeda , and a terrorist who was responsible for the murder of thousands of innocent men, women, and children.”

For the full article please click this link:
What death of Osama Bin Laden indicates about Barack Obama’s leadership - National African-American Art | Examiner.com

Comments

Post a Comment

Popular posts from this blog

From Dream to Book: How I Wrote Dreams of the Immortal City Savannah

Image
Like many of the real-life characters in its pages, including me, the author, Dreams of the Immortal City Savannah is a survivor. It has endured several powerful hurricanes, withstood the terror of too many computer crashes to count, eluded theft, and dodged falling ceilings. The real miracle is the book not only survived these successions of turmoil but managed to steadily evolve with the addition of my artwork to the nonfiction stories. To appreciate how truly exceptional that is, please note that when I first began writing the book I did not consider myself a visual artist of any kind at all: not an amateur digital craftsman, acrylic stylist, photographer, or portraitist. I was the author of Songs from the Black Skylark zPed Music Player and co-author of Encyclopedia of the Harlem Renaissance beginning a new literary adventure. Dreams of the Immortal City Savannah started with the experience of an actual dream in 1989. It had to do with a group of friends banding toge
Read more

The Year of James Baldwin Now in Full Classic Literary Swing (part 1) - by Aberjhani

Image
Author James Baldwin in St. Paul de Vence, France, 1976. (photo by Dmitri Kasterine) “It has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within. And yet, the terror within is far truer and far more powerful than any of our labels: the labels change, the terror is constant.” –James Baldwin, from  the essay Nothing Personal Members of New York City’s cultural arts community made a rare kind of decision earlier this year and the results of that decision continue to generate exceptional events and responses. They–– as in Columbia University School of the Arts, Harlem Stage, and New York Live Arts–– elected to observe The Year of James Baldwin from April 2014 until June 2015 in honor of the late iconoclastic African-American author’s 90th birthday August 2, 2014. Long before he died on December 1, 1987, millions came to recognize the indelible mark of Baldwin’s impact on, and the incredible depth
Read more

THE EXTRAORDINARY TALENT OF BEAUFORD DELANEY

Image
    This 1941 portrait of celebrated author James Baldwin, entitled “Dark Rapture,” is one of numerous masterworks created by the equally celebrated Harlem Renaissance artist Beauford Delaney (1902-1979). Delaney (whose brother Joseph, 1904-1991, was also an accomplished artist) enjoyed a remarkable career that spanned some five decades. That he was a visual artist whose creative aesthetics profoundly influenced the work of a major literary artist like James Baldwin is one indicator of how powerfully charged the creative energy of the Harlem Renaissance truly was. Aberjhani Co-author of ENCYCLOPEDIA OF THE HARLEM RENAISSANCE And the author of I MADE MY BOY OUT OF POETRY
Read more