For those members of a given demographic made uneasy by the idea of eventually becoming just one more minority in America, an abbreviated mind taking note of the evolving dynamics could react with overwhelming fear. The carnage inflicted by Dylann Roof in Charleston, SC, just last month may be considered one such case. That demonstrated by the Norwegian Anders Behring Breivik in 2011 illustrates how analogous scenarios are playing out across the globe. The idea and reality of losing  previously-held political power and privileged authority based on racial domination could (some would say apparently does) encourage violence against  those perceived of as a threat. Certainly the ongoing violence inflicted upon  unarmed African-Americans by armed White-American policemen ––the latest most  visible cases being that of Sandra Bland in Waller County, Texas, and Sam Dubose in Cincinnati, Ohio, does very little to suggest otherwise.   From the opposite end of the  undulatin

Ja A. Jahannes (right) and Aberjhani signing copies of Encyclopedia of the Harlem Renaissance at Barnes and Noble in Savannah, Georgia . (photo courtesy Bright Skylark Literary Productions) Any attempt to write a biographical essay about someone as multi-talented and prolific as the late Ja A. Jahannes would be incomplete without immersion––or re-immersion––into a comprehensive sample of his works. In Jahannes’ case that would mean listening to diverse genres of music, going through numerous powerful poems, revisiting provocative essays, and revisiting intensely-original memoirs, novels, and plays. Getting it all done in the short amount of time allotted by deadlines would not be possible but enjoying the challenge would be. In the course of rising to meet that challenge by penning the essay 5 Ways to be Geniuses Together, Celebrating  Ja Jahannes , I naturally looked for suitable quotes to include with the essay. Upon finding more than I could use, I was inspired to

(Quotation poster of Ja Jahannes created by Posted Poetics) One self-penned definition of the word genius is: a focused intensification of individual intelligence resulting in works of exemplary creativity, visionary leadership, or uncommon spiritual depth and beauty. This definition is perhaps a fitting one to describe much of the life and legacy of Rev. Dr. Ja A. Jahannes, who was born August 25, 1942. in Baltimore, Maryland, and died in Savannah, Georgia, on July 5, 2015. As recently as April 28, Jahannes (as he was known to many of his friends) had started a new blog in which he stated his intentions as follows: “This is the beginning of me putting my thoughts, observations, queries, photos and insights in one place for present, current, and past generations (it could happen…time travel) to read and witness that I made some small, if not minuscule, contribution to Planet Sol-3.” Unfortunately,  battles with illness and the drive to continuously produce creative wo

( "Tao of the Rainbow No. 12" graphic art-poem by Aberjhani ) Given the horrendous white-versus-black-motivated massacre in Charleston, S.C., on June 17, the jubilant rainbow celebrations that broke out following the U.S. Supreme Court’s historic ruling legalizing same-sex marriage nation-wide on June 26, and increasing calls to cease flying the Confederate flag on government properties, colors have commanded a lot of attention during these changing times. The hues celebrated the most of course on July 4 in the United States are red, white, and blue. Many like to believe they stand for freedom, justice, and the American way. Officially, however, according to the House of Representatives’ publication Our Flag , red stands for hardiness and valor, white represents purity and innocence, and blue symbolizes vigilance. But long before the founding of America’s democratic republic, visual and literary artists have used colors to create realistic images of external en