(Image still from YouTube video of poet Claude McKay reciting “If We Must Die”) The summer of 2015  marks the 96th anniversary of the publication of Harlem Renaissance poet Claude  McKay’s masterful poem, “If We Must Die.” This essay is presented in  commemoration of that literary milestone and in remembrance of the Red Summer  of 1919 that inspired it. There were many good reasons to believe America had entered––or at least was about to enter––a golden era of post-racialism following the election of Barack Obama in 2008. Among them was the election of the country’s first African-American president itself, an increasingly diverse American population, and a sociopolitical landscape made more democratic (in appearance at least) by the various influences of technological innovation. Unfortunately, none of those good noble reasons were able to withstand the onslaught of reality as the number of hate   groups in the country began to increase almost immediately, even while

Image still from photography video of modern-day slavery by Lisa Kristine presented by TEDTalks . Two of the most acclaimed movies of the past decade, 12 Years a Slave and Django Unchained , have focused on the degradation, inhumanity, and absurdity associated with slavery as it was once practiced in the United States. Those who are surprised by this film genre’s ability to continue to command the attention of audiences around the world might want to consider the fact that various forms of forced servitude are very real in 2015. In addition, just as the year 2011 marked the 150th anniversary of the beginning of the American Civil War, 2015 commemorates the sesquicentennial of the war’s end. It is therefore also the official end of slavery in the United States and reason enough for movies that remind viewers why so many fought against it then and why so many, acknowledged or not, are doing so now. For all intended purposes, the precise date of the end of the Civil War was

                              First Lady Michelle Obama. (Photo by Alex Wong/Getty Images) The amazing W.E.B. Du Bois is often celebrated as one of America’s greatest educators, historians, human rights leaders, prolific authors, and galvanizing change agents. What many may not realize is that during the first half of the 20th century he stood among that select group of “enlightened” men who championed the rights of women, and who argued that their full empowerment was crucial to the continuing development of democratic ideals and practices. The degree to which Dr. Bois believed the unfettered role of women in American society was an absolutely essential one can be summed up in part by these words from his pen: “...No state can be strong which excludes from its expressed wisdom, the knowledge possessed by mothers, wives and daughters.” There are numerous reasons to spend time considering Du Bois’ insight on women’s equality at this specific juncture of history in th

Director Ava DuVernay talks about the SELMA movie at Sirius XM in New York . (Getty Image by Robin Marchant) For me, the movie Selma provided 3 very important opportunities. The first was to celebrate the fact that the extraordinary story of the people of Selma, Alabama, had received “big-screen movie treatment” with director Ava DuVernay, producers Oprah Winfrey and Brad Pitt, and a cast of some of the most gifted actors working today, including David Oyelowo as Martin Luther King, Jr., at the helm. The second important opportunity was a chance to write about the movie’s potential impact on present-day campaigns to secure various gains won in the past but clearly placed at risk in the present. Due to the nature of the subject, I knew the planned article would require at least a 2-part installment.  However, a trip to Selma in 2009 to participate in the annual Bridge Crossing Jubilee had inspired an essay:  To check out the full story behind the stories please click th