Varieties of angels, like varieties of love, are many. It is therefore not too surprising that the angelic imagery utilized to help celebrate Valentine’s Day tends to range from innocent blushing cherubs to winged beauties swagged out in erotic creations worthy of placement in a Victoria’s Secret catalog. Valentine’s Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies. The effective marketing of Valentine fantasy movies such as Winter’sTale (with Colin Farrell, Jennifer Connelly, and Jessica Brown Findlay);and the film Endless Love (with Gabriella Wilde and Alex Pettyfer) support that observation. Movies can provide tear-inducing or comically-entertaining representations of love but many agree that its deeper conflicting complexities often seem unfathomable. That is largely because different human hearts often interpret their experiences of love in different ways. Class

“And the syndrome goes on; this is only a poem, wondering when to our senses we will come home.”      ––T.J. Reddy (from A Poem About A Syndrome) Most of the more celebrated names among African-American authors, poets, and artists are known to the world because of their association with specific cultural arts movements. The recently-deceased  Amiri Baraka has been identified as a hero of both the late 1950s Beat Movement and the 1960s and 1970s Black Arts Movement. Poets such as Gwendolyn Brooks and Sterling Brown remain renowned for their link to the Harlem Renaissance. One of the more powerful qualities of such movements is that they often inspire more creative genius than the world takes time to recognize. Or sometimes they produce creative thinkers of a type that “others” tend to fear and consequently attempt to destroy. It is possible both these scenarios may be applied to the poet, visual artist, human rights advocate, and educator known as T.J. Reddy.

                                1972 Associated Press photo of Amiri Baraka by Julian C. Wilson . This story was originally published as part 2 of "Two Literary Laureates Celebrated: Herta Muller and Amiri Baraka." It was written at the time in honor of the great Amiri Baraka's (1934-2014) 75th birthday. It is shared now upon the occasion of his passing : While his was not among the names short-listed for the Nobel Prize in Literature, Amiri Baraka has long been lionized for his tell-tale intellectually precise yet poetic analysis of U.S. culture and his fire-brand style of political truth-telling.   A playwright, novelist, poet, essayist, short-story writer and performance artist all wrapped into one, the Newark-born Baraka attended Rutgers and Howard Universities and is a veteran of the U.S. Air Force. He launched his writing career under the name LeRoi Jones with the 1958 play, A Good Girl is Hard to Find, produced in Montclair , New Jersey . He went on

“He got kicked in the back He say he needed that He hot willed in the face Keep daring to motivate…” –– from the song History by Michael Jackson Upon the launch of the Guerrilla Decontextualization website in August 2012, the concept that inspired it was defined primarily in ultra-modern technological terms. Examples of the practice included the following: short clips from longer videos presented as definitive statements of an individual’s beliefs, photographs of private moments marketed for public entertainment, and statements made decades ago reported on the evening news as though they were made just a few hours earlier. All were instances of events removed from their original context for the purpose of fulfilling an undisclosed agenda. The result often went beyond simple defamation of character, which is generally defined as any knowingly erroneous communication that damages an individual’s or organization’s reputation. By insidious contrast, guerrilla decontextualiz