Classic portrait of Langston Hughes by the German artist Winold Reiss (Credit: Smithsonian Magazine) “We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs.”––Langston Hughes Among the superstars who recently joined late-night television talk show host Arsenio Hall on the set of his newly-revived program was hip-hop pioneer and mogul Russell Simmons. In addition to expressing enthusiasm over sharing meditation with his children and exploring new film opportunities in Hollywood, Simmons spoke briefly and somewhat reservedly about a recent controversy involving artistic freedom versus social responsibility. Without going into details about the scandal-plagued “Harriet Tubman Sex Tape” video that he posted on, and then quickly removed from, his All Def Digital YouTube channel, Simmons admitted the backlash it created prompted the only instance where he felt compelled––after being pressured by different civil rights organizations––to withdraw artis

  (10th Anniversary digital graphic for Encyclopedia of the Harlem Renaissance by Postered Poetics based on original cover design by Facts on File with art by Jacob Lawrence .) “The story of African Americans was crafted anew into a poignant commentary on individual and group progress under great pressure, a story that over time became one of the most compelling of American narratives.” ––Dr. Clement Alexander Price September 2013 represents the landmark 10th anniversary of the publication of the groundbreaking Encyclopedia of the Harlem Renaissance (Facts on File, 2003) co-authored by educator Sandra L. West and featuring a foreword by Dr. Clement Alexander Price, founder and director of the Institute on Ethnicity, Culture, and the Modern Experience at Rutgers University, Newark Campus, New Jersey. Almost seemingly as if in honor of that event, on August 29 President Barack Obama announced his intent to appoint Dr. Price to the position of Vice Chairman of the Adviso

Martin Luther King Jr. waves at crowd during 1963 March on Washington. (Associated Press file photo) “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness.” ––Martin Luther King, Jr., I Have a Dream I n its essence, “ I Have a Dream ” is one citizen’s soul-searing plea with his countrymen––Whites and Blacks––to recognize that racial disparities fueled by unwarranted bigotry were crippling America’s ability to shine as a true beacon of democracy in a world filled with people groping their way through suffocating shadows of political turmoil , economic oppression, military mayhem, starvation, and disease. The speech is particularly remarkable for the way it balances a militant rejection of racial and politica

“Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.” -- MLK poster art with quote by Aberjhani courtesy of Bright Skylark Literary Productions . Different roads provide diverse routes to freedom. For many, the path is an interior one. It first requires an individual to the clear from the landscape of inner being those areas overgrown with woody thickets of doubt and trauma or buried beneath swamplands of self-imposed limitations. There are others––like the Americans who struggled for civil rights in the 1960s, and citizens of the Middle East and various African countries currently battling for basic human rights–– who take a more public journey to freedom. Their sense and experience of liberty is defined by interaction with the external dictates of history, evolving cultural persuasions, a