American troops maintaining their holiday spirit in the face of war .                                                           (Reuters photo by Saad Shalash) Why do you think certain creative works make such a powerful and lasting impact on a wide range of people? By way of example, consider the very edgy TV drama series Homeland , the current hit movie Lincoln , and Clint Eastwood’s modern film classic Letters from Iwo Jima ; or books such as The Kite Runner by Khaled Hosseini, and The Diary of Anne Frank . Their sustained impact likely endures because they achieve what the best of the cultural arts generally do–– they step beyond blinders of national restrictions to shine a transcendent light on the universality of the human experience . Poets, for the most part, define the transcendent essence of their human experience by the industries of their pens and spoken words. Yet in the aftermath of 9/11, many poets from different backgrounds put

"You were born a child of light's wonderful secret-- you return to the beauty you have always been." Quotation from the poem Holiday Letter for a Poet Gone to War from the book VISIONS OF A SKYLARK DRESSED IN BLACK by Aberjhani. One of the greater joys of my endeavors as an author and poet has been an occasional opportunity to compose poems, essays, and articles to supplement the vibrant works of visual artists with my own literary constructions. That was the case in 2011 when providing panel text for paintings featured in the extremely gifted artist Michele Wood’s I See the Rhythm of Gospel exhibition. Previously, I had been blessed with a similar honor when composing ekphrastic poems for the art of Luther E. Vann in ELEMENTAL The Power of Illuminated Love . And I’ve written any number of essays reviewing the works or chronicling the lives of other contemporary artists such as Allen Fireall (who currently, heartbreakingly, is challenged by the need for a hear

                                President Barack Obama on the cover of TIME Magazine . “Beneath the armor of skin/and/bone/and/mind most of our colors are amazingly the same.” --from ELEMENTAL, The Power of Illuminated Love (Aberjhani) Despite the Associated Press’s recent gloomy poll on racial attitudes in the United States, most Americans would probably agree that race should not have played as powerful a role as it did in the 2012 presidential election campaign resulting in the ultimate re-election of Barack Obama . But there are at least two good reasons that it did. First, consider the approximately one million African-American men and women currently either imprisoned, on parole, or rushing blindly down a path likely to lead to prison. Too many of them grew up, during any given decade of the last half century, believing they were either destined to go to prison as some form of rites of passage, or they should expect to die ––as Trayvon Martin and my brother

President Barack Obama standing with the Red Cross and the nation in the face of Hurricane Sandy's historic devastation . (Reuters photo by Larry Downing) As much as many of us prefer to believe we now live in a “post-racial America,” fairly staggering evidence continues to accumulate to the contrary. Former President Bill Clinton, Reverend Al Sharpton, the National Association for the Advancement of Colored People, Huffington Post bloggers, and other public figures have spent  much of their time during the 2012 presidential election campaign sounding alarms against voter suppression targeting African Americans and Latinos. These proposed types of suppression have taken the form of newly-required photo IDs, the cancellation of early voting on the Sunday before the election , the requirement of a long-term address over a given period of time, and other recently-invented criteria. Moving beyond the immediate political implications of these attempts, Clinton has asked th