Cover of the forthcoming Visions of a Skyalrk Dressed in Black eBook . The story behind the annual Juneteenth celebration is now fairly well known. The event commemorates June 19, 1865, the day slaves in Galveston, Texas, and other parts of the state learned for the first time they had actually been freed via the Emancipation Proclamation two years earlier. There is not much with which to compare such an event to in the year 2012 . But try this: imagine how a group of prisoners might feel if they learned their innocence had been proven years ago and orders for their release signed but left forgotten in someone’s desk drawer. At this point in time, just three years before the 150th anniversary of Juneteenth, the holiday has come to represent a great deal more than recognition of delayed freedom. A statement from the Juneteenth Worldwide Celebration website founded by Clifford Robinson put it as follows: "Juneteenth is a day of reflection, a day of renewal, a p

President Barack Obama toasting Queen Elizabeth II with actor Tom Hanks at 2011 celebration for the Queen . (photo by White House photographer Pete Souza) The British Prime Minister Winston Churchill during World War II reportedly quoted the great Harlem Renaissance poet Claude McKay’s poem “If We Must Die” when he addressed the joint houses of the U.S. Congress on the eve of America’s entry into the war. South African President Nelson Mandela recited “Invictus,” by William Ernest Henley, to fellow inmates while imprisoned on Robben Island and “The Child” by Ingrid Jonker when South Africa’s first democratic parliament opened in 1994. American presidents , governors, and mayors have often presented samples of some of the most luminous talents in modern literary history to provide moral and intellectual frameworks for their stated, even if not their actual, political intentions. Inauguration poets James Dickey, Maya Angelou, and Elizabeth Alexander are a few examples. H

"Interpretation of Harlem Jazz" a.k.a. "Drawing in Two Colors" art by German artist of the Harlem Renaissance Winold Reiss. (circa 1917, public domain) “Life calls the tune, we dance.”   ―   John Galsworthy , from Five Tales It was almost enough for me to simply join PEN American Center and set up a profile page without doing much else to qualify its existence. Such a page alone could allow me to relax inside the satisfaction of knowing I had remained true enough to my literary calling to place my name beside that of authors whose lives and craftsmanship had so often empowered my own. That idea, of course, faded very quickly as I further allowed myself to acknowledge something I have long known: you do not claim rights to an honored tradition just because a few books allowed you to bring them into the world or because you managed to cough up the obligatory dues. One claims a right to such traditions very much the way runners on a winning Olympic relay

Award-winning journalist Serkalem Fasil accepts the 2012 PEN Freedom to Write Award for husband Eskinder Nega . (photo by Beowulf Sheehan, PEN American Center/Associated Press) Political relations between China and the United States may have been visibly strained due to Chinese activist and lawyer Chen Guangcheng’s unexpected bid for asylum last week but diplomacy and fellowship between authors from across the globe proved the exact opposite throughout PEN American Center’s World Voices Festival from April 30 to May 6. Currently celebrating the 90th anniversary of PEN American Center, headquartered in New York City, members of the organization hosted some 100 writers from more than two dozen countries during the festival. The event concluded Sunday with former PEN president Salman Rushdie’s presentation of the Arthur Miller Freedom to Write Lecture . Several locations in the city served as festival venues, including the The Standard, the Metropolitan Museum of Art, th