President Barack Obama with 1 st Lady Michelle Obama and other U.S. political leaders at 1 WTC in New York (photo by Jewel Samad and AFP Getty Images) “Democracy does not have to be a blood sport . It can be an honorable enterprise that advances the public interest.”      ––f ormer U.S. President Bill Clinton When former U.S. President Bill Clinton made the above statement at the 2012 Democratic National Convention on September 5 in Charlotte, N.C., he was referring to the intensely negative elements that have made their way into the current presidential election campaign. He could, however, have been discussing almost any kind of attempt to resolve major differences where individuals choose to rely on brutality or guerrilla decontextualization as opposed to civility and communication. Imagine the many possibilities of what life might, could, or would be like for so many today if Osama bin Laden had developed a different perspective on how best ...

                               ( Photo of late actor Michael Clarke Duncan by Ethan Miller for WireImage ) Since his emergence during the 1980s and 1990s as a master of horror and suspense, author Stephen King has enjoyed popularity among a racially diverse reading audience. His popularity among African Africans likely ticked up a notch when his novel The Green Mile was made into a movie in 1999 and the late Michael Clarke Duncan brilliantly brought King’s character, John Coffey, to awe-inspiring life. Duncan, who died September 3, 2012, at the age of 54 from complications following a heart attack suffered in July, received an Academy Award nomination for the role. Moreover, he actually won the Saturn Award, Black Reel Award, Broadcast Film Critics Association Critics’ Choice Award, and Southeastern Film Critics Association Award for his performance. The accolades that rained upon...

Image still from the video-poem Notes for an Elegy in the Key of Michael . “It’s very important to keep the historical context in mind as you contemplate the nature of love and service required in the 21st century.” –Cornel West, Hope on a Tightrope To what extent might the phenomenal entertainer and humanitarian Michael Joseph Jackson have been the target of an extended guerrilla decontextualization campaign throughout the second half of his life? Hardcore devotees to Jackson’s music and altruistic humanitarian vision would say there can be no question that he was targeted in such a manner. Hardcore doubters might say maybe he was the one doing the guerrilla decontextualizing through the evolving manipulations of his public profile as a performance artist. They point to his chameleon-like shift from a distinctly afrocentric appearance in one decade to androgynously multi-ethnic in the next, and in his final years to an almost ethereal projection––a figure solidly in...

                         C lassic silhouette of "King of Pop" Michael Jackson . (public domain) Assistant program director “Lady Grace" at Savannah State University’s WHCJ radio station (90.3 FM) pointed out during one of her shows at the beginning of June that June and August represented the station’s “Michael Jackson time.” By that, she meant listeners could expect to hear during these months an occasional extended broadcast of music by the late enduringly great Mr. Jackson . She then launched into an uninterrupted set that lasted for longer than I could stay tuned in to listen. The music spanned every period of the creative genius’s exceptionally prolific career and included a variety of samplers from innovative mixes by diverse musicians and producers. In contrast: I recalled a fellow author informing me that she was “burned out” on Michael Jackson and didn’t see the point of different people’s cont...